Notazioni sportive: 'È la mia idea che questo sia l'unico modo per farla procedere'

between 1831 and 1832

Notazioni sportive: 'È la mia idea che questo sia l'unico modo per farla procedere' by Henry Thomas Alken, between 1831 and 1832, Drawings, romanticism

Related Artworks

‘Topping a Park fence and doing the thing easy’ Henry Thomas Alken 1827
Hunting Scene： Drawing the Cover Henry Thomas Alken ca. 1840
Foxhunting; Full Cry Henry Thomas Alken
Stout and Plain Country Girl Being Courted by a Yodel with Pitchfork Henry Thomas Alken
Foxhunting; The Leap Henry Thomas Alken
Rider on a Brown Horse Going at a Wall Henry Thomas Alken
The Death; The Fox Hoist to a Fence Henry Thomas Alken
A Charging Mameluke Firing a Pistol Henry Thomas Alken ca. 1823
‘Mr. Jorrocks Takes a Ride at St. Cloud’ Henry Thomas Alken
‘Scraps’, no. 35： Mounted Mameluke with Bamboo Spear Henry Thomas Alken
Sporting Notions： ‘My Notion is We Shall Get Him up Pretty Shortly What is Your Notion： I’ve Worked so Hard that I Hav’nt a Notion in Me’ Henry Thomas Alken between 1831 and 1832
A Groom Leading a Bay Horse Henry Thomas Alken
‘Some Do and Some Don’t; It is All a Notion;’ Getting a Dive Henry Thomas Alken between 1848 and 1851
Horse and Dog Henry Thomas Alken
‘Qualified Horses and Unqualified Riders;’ ‘Faceing a Brook Verifying the Old Adage, Look Before You Leap’ Henry Thomas Alken
‘Landscape Scenery’, No. 7： Scenes of Cricket and a Waggoner With His Team Henry Thomas Alken 1821
Facing a Brook Henry Thomas Alken
Drawing Covert Henry Thomas Alken
Wounded Turkish Cavalryman in Danger of Failling From His Horse… Henry Thomas Alken
Going Along a Slapping Pace Henry Thomas Alken
Scenes from a Seeplechase： The Winner Henry Thomas Alken ca. 1845
‘Scraps’, No. 28： Skittle Alley With Players and Spectators Henry Thomas Alken 1823
Symptoms： of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome Henry Thomas Alken between 1818 and 1822
Throwing off dull melancholy… Henry Thomas Alken 1822
Danseuse assise Edgar Degas
Les Bêcheurs Jean-François Millet circa 1855-1856
Mit verschränkten Händen sitzender Halbakt Gustav Klimt 1914-1915
Standing Nude Gustav Klimt 1906-1907
Landscape with Man Sleeping beneath Tree Annibale Carracci 1595
The reveille on the line of battle Edwin Forbes 1861-1876
Head of a Young Woman John Singer Sargent
Erna und Gerda im Atelier Ernst Ludwig Kirchner 1912
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Two Soldiers, Seated, One on a Stone, the Other on the Ground Salvator Rosa 1656 - 1657
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The Sea Monster Albrecht Dürer c. 1501
Portrait of a lady Gustav Klimt 1916
Two Figures by a River John Constable between 1807 and 1809
Country village Thomas Rowlandson ca. 1780-1825
The Great Blue Spring of the Lower Geyser Basin, Yellowstone Thomas Moran ca. 1875
Album de voyage au Maroc Eugène Delacroix 1832
The Return Thomas Cole 1837
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Vue d’Interlaken Franz Niklaus König
The Mill, Sunset Thomas Cole
Si sabrá mas el discipulo (Might not the pupil know more) Francisco de Goya 1796-1797
Bust Portrait of Carle Vernet Horace Vernet 1817
Monsieur le marquis passe en trombe Georges Goursat (Sem) 1919
Polka à coup de baton introduced & danced by Mr. Gilbert & Miss Ballin in the ballet of Le diable à quatre Franz Andreas Bauer 1845
Variation on Composition XIII Theo van Doesburg 1918
Schwebende Amorette nach rechts Annibale Carracci
A musical doctor & his scholars Thomas Rowlandson 1808
Veith Schöberl, von Gumpendriel gebürthig, der grossen Hollhippen Fabrica im Crabatendörffl, Niderlags Verwandter, Pl. 47 Elias Baeck 1710-1719
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The Waltz of the Toreadors Saul Steinberg 1957
Sketch for ‘Mrs. Pottles Can’t Abide a Crowd’ John Leech 1856
Denslow’s Mother Goose Pl 36 William Wallace Denslow 1901
Les caricatures de Puvis de Chavannes Pl.30 Pierre Puvis de Chavannes 1906
The rider Lothar Meggendorfer 1884
Two Caricature Heads of Men Johann Heinrich Wilhelm Tischbein after 1794
Elegante Devant Le Grand Palais Sur Le Pont Alexandre III Jean Béraud