A perseguição
1820-1830
A perseguição by Henry Thomas Alken, 1820-1830, Drawings, romanticism
Related Artworks
- ‘Sporting Incidents：’ Drawing For the Soft-gound Etching of ‘Panther Hunting’ Henry Thomas Alken
- ‘Qualified Horses and Unqualified Riders;’ ‘Topping a Flight of Rails…’ Henry Thomas Alken
- Head and Shoulders of a Boxer Dog, Profile Left, Wearing a Leather Collar A ttached to a Ring Post Henry Thomas Alken
- British Proverbs Henry Thomas Alken 1824
- ‘Some Do and Some Don’t; It is All a Notion;’ Getting Over a Difficulty Henry Thomas Alken between 1848 and 1851
- Foxhunting; The Leap Henry Thomas Alken
- Jumping a Low Rail and a Brook Henry Thomas Alken
- A Charging Mameluke Firing a Pistol Henry Thomas Alken ca. 1823
- Foxhunting; Gone Away Henry Thomas Alken
- ‘Qualified Horses and Unqualified Riders;’ `Returning Home in Triumph. He Disdain’d a Slothful Easey Life; so Took to Hunting’ Henry Thomas Alken
- Horse and Dog Henry Thomas Alken
- ‘Some Do and Some Don’t; It is All a Notion;’ Getting Dead Beat Henry Thomas Alken between 1848 and 1851
- This sir, is my wife. Henry Thomas Alken 1826
- Fox Hunting; Fores’s Hunting Casualties – A Turn of speed over the flat Henry Thomas Alken 1850
- ‘Qualified Horses and Unqualified Riders;’ ‘Faceing a Brook Verifying the Old Adage, Look Before You Leap’ Henry Thomas Alken
- ‘Some Do and Some Don’t; It is All a Notion;’ Getting a Dive Henry Thomas Alken between 1848 and 1851
- The Lover Henry Thomas Alken 1824
- ‘Landscape Scenery’, No. 7： Scenes of Cricket and a Waggoner With His Team Henry Thomas Alken 1821
- Foxhunting; Full Cry Henry Thomas Alken ca. 1830
- Military Discoveries Henry Thomas Alken 1819
- ‘The National Sports of Great Britain’ 1821：Badger Catching Henry Thomas Alken 1821
- The Night Riders of Nacton; Whoop! and Away! The large field near Biles Corner Henry Thomas Alken
- Topping a Flight of Rails and Coming Well into the Next Field Henry Thomas Alken
- Mounted sportsmen Henry Thomas Alken 1817-1818
- Self-Portrait In Green Shirt With Eyes Closed Egon Schiele 1914
- The Sacrifice of Iphigenia Giovanni Battista Tiepolo c. 1726
- Girlhood Pierre-Auguste Renoir c. 1890
- Bildnis Edith Schiele Egon Schiele 1915
- Frederick III, Elector of Saxony Albrecht Dürer 1526-1550
- The Omval Rembrandt van Rijn 1645
- Frau Sitzend mit Schuhen Egon Schiele 1917
- Two women working hay Jean-François Millet
- Femme s’essuyant Edgar Degas circa 1899
- A night march Edwin Forbes 1876
- Portrait of a Man Elizabeth Murray 1846
- The Bewitched Groom Hans Baldung 1544-45
- The Picture Book (No. 1) Mary Cassatt c. 1901
- A Vision of St. Philip of Neri Carlo Maratti late 17th century
- Stiggins Felix Octavius Carr Darley
- Hundekranium Johan Thomas Lundbye 1835
- The Letter of Introduction Sir David Wilkie
- Noon Francis Wheatley
- L’axenstrasse (Lac Des Quatre-Cantons) Alexandre Calame
- Feuille d’études de têtes de tigres Antoine-Louis Barye 19th century
- Bivouac place du Panthéon, dans la nuit du 22 au 23 décembre 1830 Denis Auguste Marie Raffet 1830
- Westminster Bridge Frederick Nash
- April in the Engadine Gustave Doré
- Tivoli with the Temple of the Sybil and the Cascades Joseph Mallord William Turner between 1796 and 1797
- Golding Constable’s Black Riding-Horse John Constable
- Stag hunt on horseback Jacques Courtois
- Riders Arnold Peter Weisz-Kubínčan 1930-1945
- Sketch for ’The Last of the Buffalo’ Albert Bierstadt circa 1888
- Tethered Winslow Homer 1864
- powóz z parą koni. Ivan Ivanec 1929
- Horses in a Paddock John Linnell 1811
- Landscape with Three Horses and a Tree in the Foreground James Ward
- Hay, John, lord chef ombord på Warspite Bror Jacob Adelborg 1843
- As the law stands John Samuel Pughe 1902
- Lingerie Boutique and Conversation (verso) Gabriel de Saint-Aubin c. 1765-75
- Signature ‘TH. Nast Oct. 17_1901’ Thomas Nast 1901
- Wettkampfspiel auf einem Dorfplatz Thomas Rowlandson
- L’insaisissable Dewet Jean Veber 1901