죽음에 안정적으로 눕게 될 때…

Related Artworks

• ‘Sporting Anecodotes：’ Drawing for the Soft-Gound Etching of ‘The Sporting Butcher’ Henry Thomas Alken
• Symptoms： of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt. Henry Thomas Alken between 1818 and 1822
• ‘Doing the Thing; and the Thing Done;’ Afternoon. Returning Home in Fine Trim. Doing the Most you Can Henry Thomas Alken 1818
• Facing a Brook Henry Thomas Alken
• Head of a Foxhound, in Profile Right Henry Thomas Alken
• ‘Mr. Jorrocks’s Surprize on Seeing the Paris Diligence, ‘My Vig, Here’s Wombwell’s Wildbeast show’ ‘ Henry Thomas Alken
• ‘Sporting Discoveries, or the Miseries of Driving…’ You Discover that the Reins are Under His Tail Henry Thomas Alken
• The Night Riders of Nacton; Whoop! and Away! The large field near Biles Corner Henry Thomas Alken
• Drawing Covert Henry Thomas Alken
• Hunting Scene： In Full Cry Henry Thomas Alken ca. 1840
• Rider on a Brown Horse About to Jump a Rail Fence to the Right Henry Thomas Alken
• ‘Scraps’, No. 28： Skittle Alley With Players and Spectators Henry Thomas Alken 1823
• Symptoms： of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth. Henry Thomas Alken between 1822 and 1827
• Turbaned Cavalryman on a Horse Henry Thomas Alken
• Wounded Turkish Cavalryman in Danger of Failling From His Horse… Henry Thomas Alken
• ‘Landscape Scenery’, No. 18： Scenes of Horse Drawn Artillery, etc. Henry Thomas Alken 1821
• Man Leaning on a Fence Henry Thomas Alken 1815
• The Night Riders of Nacton; The Last Field near Nacton Heath Henry Thomas Alken
• Turbaned Cavalryman Standing Beside a Horse Henry Thomas Alken
• Far removed from Noise & Smoke… Henry Thomas Alken 1822
• ‘Qualified Horses and Unqualified Riders;’ ‘Topping a Flight of Rails…’ Henry Thomas Alken
• Self-Portrait, Full Face Looking Downwards to Right, Wearing a Top Hat Henry Thomas Alken
• Illustration to R.S. Surtees’, ‘Jorrocks’s Jaunts and Jollities’： Title page Henry Thomas Alken
• Foxhunting; The Leap Henry Thomas Alken
• In the Corner Carl Larsson
• One Hundred Views of Mount Fuji, vol. 1(1834 Katsushika Hokusai printed 1875)
• Portrait of Martin Luther as an Augustinian Monk Lucas Cranach the Elder 1520
• Milton, a poem in 2 books Pl.42 William Blake 19th century
• The streetcar on Tremont Street Maurice Prendergast 1895-1897
• Olympia (1867) 2 Édouard Manet
• Tôji san bijin – Three beauties of the present day Kitagawa Utamaro 1793-1804
• Various Types of Torii Arch Katsushika Hokusai 1816
• The Kiss (‘Kyss’) Edvard Munch 1895
• Weib mit rotem Haar und grünen Augen. Die Sünde Edvard Munch 1902
• Cover of ‘The Yellow Book - an Illustrated Quarterly’, Volume I, April 1894 Aubrey Vincent Beardsley 1894
• Tamaya uchi Hanamurasaki, Sekiya, Teriha – Hanamurasaki of the Tamaya, Sekiya, Teriha Kitagawa Utamaro 1793-1804
• The Little Standard Bearer Albrecht Altdorfer c. 1506-38
• Snow at the top of the Tsukuba Mountain in Hitachi Province Katsushika Hokusai 1817
• Hamlet wants to follow his father’s ghost (Act I, scene iv) Eugène Delacroix 1864
• Pozzo’s architecture in perspective Andrea Pozzo 1707
• Yosemite Valley, California Albert Bierstadt
• Christ Asleep during the Tempest Eugène Delacroix ca. 1853
• The Wheat Field George Inness c. 1875-77
• Illustrations of the book of Job Pl.16 William Blake 1826
• Job and His Daughters William Blake 1799-1800
• Manuel Osorio Manrique de Zuñiga (1784–1792) Francisco de Goya 1787-88
• Salisbury Cathedral from the Bishop’s Garden John Constable 1826
• Hummingbird and Passionflowers Martin Johnson Heade ca. 1875-85
• Hudibras in Tribulation William Hogarth no.6
• The Last Chance George Cruikshank circa 1830-1840s
• Miseries of human life; While on a visit to the hundreds of Essex . . . . Thomas Rowlandson 1807
• Vacation is over Charles Dana Gibson 1893-1900
• The last gasp, or Toadstools mistaken for mushrooms Thomas Rowlandson
• Trois chansons à la charcutière – Malheureuse Adèle Pierre Bonnard 1898
• The Flogging of Punchinello Giovanni Domenico Tiepolo ca. 1800
• Sure to enjoy it Rose Cecil O'Neill 1901