那溫柔的門扉輕拂著空氣……
Henry Thomas Alken
1822
那溫柔的門扉輕拂著空氣…… by 亨利·托馬斯·阿爾肯, 1822, Illustration, romanticism
Related Artworks
Illustration to R.S. Surtees’, ‘Jorrocks’s Jaunts and Jollities’: Title page
Henry Thomas Alken
‘Landscape Scenery’, No. 10: Scenes with Wood-Cutters
Henry Thomas Alken
1821
Head and Neck of a Horse, Profile Left
Henry Thomas Alken
‘Mr. Jorrocks Takes a Ride at St. Cloud’
Henry Thomas Alken
In and Out Clever
Henry Thomas Alken
Partridge Shooting
Henry Thomas Alken
‘Qualified Horses and Unqualified Riders;’ ‘Charging an Ox Fence with Good Success’
Henry Thomas Alken
Symptoms: of The Manager’s Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed.
Henry Thomas Alken
between 1822 and 1827
Sporting Notions: ‘I Have a Notion That I Don’t Look Unlike Mazeppa’
Henry Thomas Alken
between 1831 and 1832
Symptoms: of Doubtful Amusement – or Craneing, of Anxious Amusement – or Sure of a Bite, of Public Amusement – or No Taxes, Dangerous Amusement
Henry Thomas Alken
between 1822 and 1827
Two Pointers, Facing Right with a Sportsman
Henry Thomas Alken
‘Doing the Thing; and the Thing Done;’ Morning. Turning Out in Prime Twig. Doing the Least you Can
Henry Thomas Alken
1818
Duck Shooting
Henry Thomas Alken
ca. 1825
Gone Away
Henry Thomas Alken
Hunting Scene: Drawing the Cover
Henry Thomas Alken
ca. 1840
Steeplechasing; The Start
Henry Thomas Alken
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
Henry Thomas Alken
between 1822 and 1827
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter…1822-1827
Henry Thomas Alken
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.
Henry Thomas Alken
between 1822 and 1827
A deer
Henry Thomas Alken
1820 - 1830
‘Doing the Thing; and the Thing Done;’ Doing the Down Leap
Henry Thomas Alken
1818
Scenes from a Seeplechase: The Winner
Henry Thomas Alken
ca. 1845
Sketch of pheasant, one flying and the other on the ground
Henry Thomas Alken
1820 - 1830
‘Some Do and Some Don’t; It is All a Notion;’ Getting a Fall
Henry Thomas Alken
between 1848 and 1851
Tsuchiyama
Utagawa Hiroshige
1855
Vampire II
Edvard Munch
1987
In the Corner
Carl Larsson
Women of Algiers
Eugène Delacroix
1833
Martin Luther
Lucas Cranach the Elder
1527
La sortie du bain
Edgar Degas
circa 1884
Milton, a poem in 2 books Pl.31
William Blake
19th century
Death In The Sickroom
Edvard Munch
1893
Olympia
Édouard Manet
1867
The streetcar on Tremont Street
Maurice Prendergast
1895-1897
After the Bath III
Edgar Degas
1891-92
The Courtesan Kisegawa
Kitagawa Utamaro
late 18th century - ca. 1806
Crayfishing
Carl Larsson
Milton, a poem in 2 books Pl.38
William Blake
19th century
America, a prophecy Pl.18
William Blake
1793
America, a prophecy Pl.08
William Blake
1793
Two Men Contemplating the Moon
Caspar David Friedrich
ca. 1825-30
A Storm in the Rocky Mountains, Mt. Rosalie
Albert Bierstadt
1866
Salisbury Cathedral From The Meadows
John Constable
1829
Illustrations of the book of Job Pl.03
William Blake
1826
Yosemite Valley, California
Albert Bierstadt
Illustrations of the book of Job Pl.13
William Blake
1826
Christ Asleep during the Tempest
Eugène Delacroix
ca. 1853
The Sun of Venice Going to Sea
Joseph Mallord William Turner
Ye gentle gates that fan the air…
Henry Thomas Alken
1822
Andromeda
Edward John Poynter
1869
Hero and Leander
Alexander Runciman
1700 - 1799
Die Falle
Johann Matthias Ranftl
1853
Illustrations to Shakespeare Pl.053
John Massey Wright
19th century
Dicing, Drabbing and Drinking Bring Man to Destruction
Adriaen Pietersz. Van De Venne
ca. 1640
Ploriander, Pl. 24
Elias Baeck
1710-1719
Pajol, puppet, sad
Albert Daenens
1920
Die Ausgestoßenen
Karl Suschnik
Farewell (Woman at gate, man riding off)
Utagawa Hiroshige
19th century
Drei Frauen bei einem Kinde beschäftigt
Charles Parrocel
Blundering again!
Bernhard Gillam
1883
Liggende figuur met gesloten ogen
Henri Braakensiek
The Beggars, plate 7 from the series ‘Trip to Berlin 1922’
Max Beckmann
1922
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