Ein griechisches Erntedankfest, oder Danksagung an die ländlichen Gottheiten, Ceres, Bacchus usw.

Related Artworks

• Elysium and Tartarus or the State of Final Retribution James Barry 1791
• The Conversation of Polemon James Barry 1778
• Study of Hercules for ‘Crowning the Victors at Olympia’ James Barry between 1777 and 1780
• The Conversion of Polemon James Barry 1778-90
• The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts) James Barry after 1783
• The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts) James Barry after 1783
• The Education of Achilles James Barry ca. 1772
• The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts) James Barry after 1783
• The Society for the Encouragement of the Arts James Barry after 1783
• A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts) James Barry after 1783
• A study of an arm, with subsiduary studies of hands James Barry
• Mercury Inventing the Lyre James Barry 1775
• His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts) James Barry after 1783
• Jonah James Barry c. 1800
• King Lear James Barry 1776
• Orpheus Instructing a Savage People in Theology and the Arts of Social Life James Barry 1791
• Eastern Patriarch James Barry 1803
• The Phoenix or the Resurrection of Freedom James Barry 1776
• Landscape with a Man Washing his Feet at a Fountain James Barry c. 1767
• The Birth of Venus James Barry ca. 1778
• Horatius James Barry
• Temptation of Adam James Barry 1776
• King Lear and Cordelia, Act V, Scene 10 James Barry 1776
• Portrait of Edmund Burke (1729-1797), Statesman, Orator and Writer James Barry c. 1774
• Kami-yui – Hairdresser Kitagawa Utamaro 1793-1804
• Si sabrá mas el discipulo (Might not the pupil know more) Francisco de Goya 1796-1797
• What to draw and how to draw it Pl.63 Edwin George Lutz 1913
• Blatt aus ‘Aus meinen Schlössern’ 5 Franz von Bayros ca 1923
• The Fight for the Water Hole Frederic Remington 1903
• The country of the quadlings William Wallace Denslow 1900
• The call for help Frederic Remington between 1906 and 1910
• City Square Francisco Fierro ca. 1850
• Corner Winter, Washington and Summer Streets, Boston Winslow Homer 1857
• Si amanece; nos Vamos. (When day breaks we will be off.) Francisco de Goya 1796-1797
• The Maternal Precaution Jean-François Millet 1860
• Miss dada menken André Gill 1867
• Portrait of Paris von Gütersloh (Bildnis Paris von Gütersloh) Egon Schiele 1918
• Unconditional surrender Grant Thomas Nast 1868
• Embarking from Brighthelmstone to Diepp Thomas Rowlandson 1787
• Bijutsukai Pl.27 Furuya Kōrin 1901
• The Great Blue Spring of the Lower Geyser Basin, Yellowstone Thomas Moran ca. 1875
• Album de voyage au Maroc Eugène Delacroix 1832
• The Return Thomas Cole 1837
• Ansicht von Unterseen Franz Niklaus König
• Vue d’Interlaken Franz Niklaus König
• The Mill, Sunset Thomas Cole
• Verkrüppelter Baumstamm auf Felsen bei Ariccia Ernst Fries 1824
• Bust Portrait of Carle Vernet Horace Vernet 1817
• So they dwelt together in happiness always Ivan Bilibin 1917