Uma situação perigosa
1846-1847
Uma situação perigosa by John Doyle, 1846-1847, Illustration
Related Artworks
- Extraordinary musician! ‘Wot plays on various instruments – all at once! John Doyle 1845-1847
- A Brummagem Don Quixote, Meditating his Grand Attack Upon the Leading Giant John Doyle 1847
- An Extraordinary Animal, Neither an Opossum nor a Kangaroo but Having Something of Both John Doyle 1835
- Taking an airing in Hyde Park John Doyle 1833
- Perseus Flying to the Rescue of Andromeda John Doyle 1847-1847
- A Graceful Speciman of The Retort Courteous John Doyle 1831
- Beauty and The Beast John Doyle 1840
- A ball-room scene John Doyle 1838
- An interesting group. Misfortune makes us acquainted with strange bedfellows John Doyle 1847
- Good breeding – versus – education (from the code of etiquette) John Doyle 1837
- How to jockey the favorite’ John Doyle 1846
- Jason, aided by Medea, carries off the Golden-Fleece John Doyle 1846-1847
- New Illustration of Hudibras John Doyle 1851
- The Ass and the Sick Lion John Doyle 1849
- The confessional John Doyle 1846-1847
- This is NOT the Baron of Oakland, in the Opera of the Haunted Tower John Doyle 1831
- Stag at Bay; – Suggested by the Beautiful Picture of Edwin Landseer R.A., Esquire John Doyle 1846
- Materials for a Strong and Adhesive Government： A peep into the Lobby, on the Occasion of a Late Division John Doyle 1848
- The seven bold Swabians; – who sallied forth with one spear John Doyle 1847-1847
- Bogy’s coming! An allegory for the nursery John Doyle 1846-1847
- The troubadour, or A flirtation between the chivalry of Oxford & the beauty of young England John Doyle 1845-1847
- A great fact John Doyle 1844
- Daniel in the lion’s den! John Doyle 1844-1847
- Another Saint Sebastian, Shot at by Cruel Archers John Doyle 1847
- Ôgiya uchi Yashio, Someki, Tsumaki – Yashio of the Ôgiya, Someki, Tsumaki Kitagawa Utamaro 1793-1804
- Sankatsu Hanshichi no bosetsu – The maternal love of Sankatsu and Hanshichi Kitagawa Utamaro 1793-1804
- Milton, a poem in 2 books Pl.26 William Blake 19th century
- Milton, a poem in 2 books Pl.10 William Blake 19th century
- Kami-yui – Dressing the hair Kitagawa Utamaro 1793-1804
- Lion Devouring a Horse Eugène Delacroix 1844
- The Four Stages of Cruelty; Cruelty in Perfection (The Murderer) William Hogarth 1751
- Hasta la muerte. (Until death.) Francisco de Goya 1796-1797
- Mishima Pass in Kōshū Province Katsushika Hokusai 1817
- Enoshima Island (Figure on an ox, waves) Utagawa Hiroshige 19th century
- The Calligraphy Lesson Kitagawa Utamaro circa 1803
- Miren que grabes! (Look how solemn they are!) Francisco de Goya 1796-1797
- Hamlet and Polonius (Act II, scene ii) Eugène Delacroix 1864
- The First Stage of Cruelty; First, Children Torturing Animals William Hogarth 1751
- Characters and Caricatures; subscription ticket for ‘Marriage à la Mode’ William Hogarth 1743
- Das Mädchen am Fenster Edvard Munch 1912
- Callithamnion Borreri Anna Atkins 1843-1853
- Bryopsis hypnoides Anna Atkins 1843-1853
- Polysiphonia violacea Anna Atkins 1843-1853
- Chest Frederick Jackson c. 1936
- Reptiles VIII Frederick McCoy 1885-1890
- Companion Panel from Main Reredos, Church of Sanctuario, Chimayo E. Boyd 1935-1942
- Pa. German Chest David Dorfman c. 1940
- Dress Frederick Jackson c. 1937
- Setting ’em off Frank Arthur Nankivell 1907
- The Fall of the Rebel Angels (Book 1, Line 44) John Martin 1824-1827
- Allegories and Emblems Pl.096 Albert Ilg 1882
- Murphy rests leaning against a large tiger, representing Tammany Hall Homer Davenport
- L’arbre de Noël L’embarras du choix Alfred Le Petit 1871
- Society 1915 Max Beckmann 1915
- ‘Rah! ‘Rah! ‘Rah! C-O-L-U-M-B-I-A!. Thomas Nast 1886
- Allegorien und Embleme Vol. II Pl.006 Albert Ilg 1882
- Simon Lord Lovat William Hogarth 1746
- Bailed up Tom Roberts 1895
- Hideous head 2 Cornelis Dusart
- Altercation dans les couloirs de l’Opéra Jean Béraud 1889
- Bauldy, Symon and Sir William Worthy David Allan
- Sowing dissension Frederick Burr Opper 1897