《거지 오페라》의 한 장면

Related Artworks

• Telemachus & Mentor John Doyle 1847-1847
• Trois Dogs; a Graphic Tale, with a Moral… for Those Who Can Find It Out! John Doyle 1834
• A Scene From the Farce of ‘The Critic,’ a Little Altered. John Doyle 1848
• ‘Concert Monstre’ of ‘Musical Congress’ Extraordinary! John Doyle 1849
• Alarming Case of Indigestion： The Doctor Called In John Doyle 1847-1847
• Protection, A Hen and Chickens of an Extraordinary Game Breed, Not to be Found in any work on Ornithology John Doyle 1846
• Jack in Office John Doyle 1835
• Another stage in the march of intellect, or the newest way of getting along the road. John Doyle 1835
• Rowing in the Same Boat： Something Wrong at the Bottom… Weather Rather Squally John Doyle 1848
• Christmas pantomime, No. 2. Extraordinary Harlequin leap! John Doyle 1946
• Two great pillars of the Church John Doyle 1845-1847
• The Man Wot ‘Whips the House Out’ John Doyle 1849
• The Trojans petition Dido for ‘protection’ John Doyle 1846-1847
• The man wot knows how to get up the steam John Doyle 1845-1847
• A lecture on elocution. The professor enforcing his precepts by example John Doyle 1847
• A New Way to Drive Over an Old Road： Now Alas! Sadly out of Order John Doyle 1847
• A small copy of ‘The comical figure wot kicks all manner of ways’ John Doyle 1845-1847
• A Strong Case for Shortening the Hours of Labour John Doyle 1848
• Bear-baiting or Old English pastimes revived John Doyle 1844-1847
• Dilly, dilly, come and be killed! John Doyle 1845-1847
• Jack Cade’s insurrection! John Doyle 1844-1847
• Jack the giant killer, blowing the magic horn John Doyle 1847
• Tancred Entering the Enchanted Forest, Vide ‘Jerusalem Delivered’–Canto XIII John Doyle 1847-1847
• The modern Ophelia, or ‘The Doomed one’ John Doyle 1845-1847
• The Vampire Edvard Munch 1987
• Plate 9, The Idle ‘Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice William Hogarth 1747
• —and then he kneeled down again, kissed the ground, and taking me by the foot, set my foot upon his head N. C. Wyeth 1920
• Horo-gaya – Mosquito net for a baby Kitagawa Utamaro 1793-1804
• Fishing with a Four-Armed Scoop-net (Yotsu Deami) (center component of triptych) Kitagawa Utamaro late 18th century - ca. 1806
• Chaucer’s Canterbury Pilgrims William Blake 1810
• Plate 7, The Idle ‘Prentice Returned from Sea and in a Garret with a Common Prostitute William Hogarth 1747
• The Second Stage of Cruelty; Second, Coachman Beating a Fallen Horse William Hogarth 1751
• Europe; a Prophecy – Title page William Blake 1794
• Lisbeth Carl Larsson 1894
• The Herring Net Winslow Homer 1885
• The frog prince Arthur Rackham 1913
• Philipp Melanchthon Lucas Cranach the Elder
• Jane Avril Henri de Toulouse-Lautrec 1893
• Two mice Katsushika Hokusai 1830-1850
• Wandering Women Kitagawa Utamaro circa 1790
• Corallina officinalis Anna Atkins 1843-1853
• The Peaceable Kingdom Edward Hicks c. 1846-1847
• Cameo Brooch Frederick Jackson c. 1937
• Crucifix – From the Vicinity of Mora E. Boyd 1935-1942
• Callithamnion tetragonum Anna Atkins 1843-1853
• Chest of Native Pine, Painted in Oil E. Boyd 1935-1942
• The Pied Piper of Hamelin Pl 21 Kate Greenaway 1910
• Printed Cotton Ernest Capaldo c. 1941
• THE KALEIDOSKOP WUNDERBAR TEATER by Max Beckmann Max Beckmann ca. 1920
• Before going on (Acrobats) Max Beckmann 1923
• A Costumed Actor in Front of a Curtain Gustave Doré
• Clowns Henri-Gabriel Ibels 1893
• Aaron, from Titus Andronicus Edwin Austin Abbey 1881
• Figures in Theatrical Costumes 2 Claude Gillot
• Tableau de la boxe, illustré de 29 gravures à l’eau-forte pl 25 André Dunoyer de Segonzac 1923
• Parsifal. Heinrich Lefler 1914
• A Scene from the Beggar’s Opera John Doyle 1844-1847