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Related Artworks

• ‘Concert Monstre’ of ‘Musical Congress’ Extraordinary! John Doyle 1849
• Going to a half crown-ation John Doyle 1831
• The Sibyl Presenting the Mysterious Writings to Tarquin, Who ‘With Gay Audacity’ Rejects the Proferred Treasure John Doyle 1849
• Small insinuations John Doyle 1845-1847
• Heads or tails John Doyle 1835
• ‘Open locks, whoever knocks.’ Witches’ Scene from Macbeth; with a New Cast of Characters John Doyle 1847
• Supposed Colloquy between a Top Sawyer and his Brother Labourer John Doyle 1843
• The wren, the wren! Is the king of all birds! John Doyle 1845-1847
• Alexander and Diogenes John Doyle 1844-1847
• A scene from Vatheck. (realised) John Doyle 1845-1847
• The modern Ophelia, or ‘The Doomed one’ John Doyle 1845-1847
• May Day John Doyle 1831
• Porträt eines Mannes mit Hut vor Landschaft Emil Rudolf Weiss 1899
• The Execution of Emperor Maximilian Édouard Manet 1867
• The fatted calf a prey to wild beasts Thomas Rowlandson 1803
• Arabesques; mosquée d’Ibrahym Agha; pseudo-mihrab en faïence (XVIe. siècle) Émile Prisse d'Avennes 1877
• Opening of the Panama Canal John Samuel Pughe 1906
• Letter Z Mauro Poggi 1745-1765
• Cow Joseph Scholz 1829 - 1880
• Crowfoot Carington Bowles 1770
• The Duello Sir John Tenniel 1898
• France, Sept. 4, 1870 Sir John Tenniel 1870
• She’s responsible for them all John Tinney McCutcheon 1916
• The latest fashion Thomas Nast 1876
• Symptoms： of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck Henry Thomas Alken between 1818 and 1822
• ‘Doing the Thing; and the Thing Done;’ Doing it Somehow Henry Thomas Alken 1818
• Le Canard Félix Bracquemond 1856
• La scène des deux carrosses Claude Gillot ca. 1712[-]16