費西·羅姆福德先生的獵犬；像四歲小馬一樣精力充沛。像子彈一樣衝了出去！
1865
費西·羅姆福德先生的獵犬；像四歲小馬一樣精力充沛。像子彈一樣衝了出去！ by 約翰·利奇, 1865, Illustration, realism
Related Artworks
- Sketch for ‘Mrs. Pottles Can’t Abide a Crowd’ John Leech 1856
- Being Pulled by a Crowd John Leech
- Snowballing John Leech
- Boy (loq.) O don’t I pity them poor Nobs in Carriages this hot weather John Leech 1830-64
- Captain Doleful attiring for the Masquerade John Leech 1854
- A Jockey-Cart John Leech
- Kitchen Staff John Leech 1837-64
- Design for ‘Hooking and Eyeing,’ a wood engraving published in ‘Punch’ John Leech 1851
- John Bull and Uncle Sam John Leech 1837-64
- Caricature of the County Hampshire John Leech
- Comic Sketch John Leech 1837-64
- Lilthorpe’s Gallant Attack on Street, Nuisances John Leech 1830-64
- Highland Regiment in Camp John Leech
- The Riverside, Favourable Wind and the Trout Rising as Fast as Possible John Leech 1830-64
- Caricatures of the counties of Devonshire and Gloucestershire John Leech
- Mr. Facey Romford’s hounds; This is a pretty present for a master of hounds to receive. John Leech 1865
- Meat to my tea – or – I’m sure I saw something!!!. John Leech
- Contemplating a day’s fishing, Mr. Briggs gets his tackle in order, and trys the management of his running line. John Leech
- “Mrs. Pottles can’t abide a Crowd” John Leech
- London at the Sea Side John Leech 1830-64
- Vegetarian Odd Fellows John Leech 1837-64
- Preparing for the Pantomime John Leech 1836-64
- Caricature of the County Lancashire John Leech
- Have You Been to the Pump, Simpson John Leech 1837-64
- Si sabrá mas el discipulo (Might not the pupil know more) Francisco de Goya 1796-1797
- Kami-yui – Hairdresser Kitagawa Utamaro 1793-1804
- Cours de dessin Pl.63 Charles Bargue 1867
- All this while I sat upon the ground, very much terrified and dejected N. C. Wyeth 1920
- Miseries of travelling; Being mounted on a beast . . . . Thomas Rowlandson 1807
- John Bull (England) as Adam and a woman representing America as Eve in the Garden of Eden William Henry Walker 1903
- Bijutsukai Pl.29 Furuya Kōrin 1901
- Unique Specimens of Mineralogy Edward Francis Burney
- Marthe Brandès, actrice Georges Goursat (Sem) 1901
- El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) Francisco de Goya 1796-1797
- De aanzegger Albert Hahn 1904 - 1953
- The method of drawing the net of lattice-work on vaults. Andrea Pozzo 1707
- The plan and elevation of a corbel in perspective. Andrea Pozzo 1707
- The Ingoldsby legends. The dead drummer Arthur Rackham 1906-1921
- N° 3 – Tout à coup il se vit pousser d’horribles ailes Emile Bernard 1935
- Dernière Nouveauté Félix Vallotton 1893
- Lake Placid, New York Edward B. Gay 1872
- Ruffe, Perca cernua Edward Donovan 1803
- Grace Before Meals Jozef Israëls circa 1890
- The Grand Salon, The Prado Francisco Aznar Y García
- Der Liebesbrief Franz von Defregger 1884
- What to draw and how to draw it Pl.63 Edwin George Lutz 1913
- Boerderij tussen hoge bomen, Ewijkshoeve Jan Veth 1886
- On the Bighorn Frederic Remington circa 1892
- Halt an der Tränke Hans Von Marées
- Foal Nils Kreuger 1903
- Facing a Brook Henry Thomas Alken
- A Dash for the Timber Frederic Remington 1889
- Epsom Races; The Betting Post James Pollard 1834 - 1835
- ‘Qualified Horses and Unqualified Riders;’ ‘Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve…’ Henry Thomas Alken
- View Halloo John Dalby 1850
- `Ar Never Gets Off’ – Hunting Scene Cecil Charles Windsor Aldin
- Two Nymphs and a Satyr Giovanni Benedetto Castiglione 1640-1647
- Sciurus cinereus, Cat Squirrel. Natural size. John Woodhouse Audubon 1845-1848
- Standing girl Gustav Schraegle 1917
- Kermis op het Haarlemmerplein George Hendrik Breitner 1893-1913
- Master Billy’s procession to Grocers’ Hall Thomas Rowlandson 1784
- Singes Théophile Alexandre Steinlen 1885