Il capriola, quando si solleva davanti e contemporaneamente spinge indietro le zampe posteriori e la groppa in linea retta

Related Artworks

• Portrait of Miss Dorothy Long (1703-1758) John Vanderbank 1737
• Three Ladies John Vanderbank 1726
• Portrait of Francis Bacon John Vanderbank 1561-1626
• The Scholar Placed in His Seat Without Styrrops John Vanderbank 1729
• Portrait of a Young Lady as a Shepherdress John Vanderbank
• Rider in a Tricorn Hat, Horse Walking towards Front John Vanderbank
• Portrait of a Woman in White John Vanderbank
• Preparatory Study for the decoration ‘Equestrian Portrait of George I’ John Vanderbank
• Raphael’s Visit to Adam and Eve, from Milton’s Paradise John Vanderbank
• Lady and Cockatoo John Vanderbank
• Conversation Piece John Vanderbank
• Two Ladies and A Gentleman John Vanderbank 1736
• Portrait of a Standing Lady John Vanderbank 1734
• ‘The Gallop with Left Leg;’Engraved as Plate 15 in ‘Twenty Five Actions of the Manage Horse…’ John Vanderbank 1729
• Don Quijote und Sancho Pansa John Vanderbank 1729
• Family Group John Vanderbank
• ‘The Manege-Gallop with the right leg’ engraved as plate 14 in ‘Twenty Five Actions of the Manage Horse…’ John Vanderbank 1729
• Portrait of a Standing Lady II John Vanderbank 1734
• Seated Male Nude John Vanderbank 1738
• The Passage to the Right Aided by the Rider’s Rod & the Master Holding the Alonge; Engraved as plate 10 in Twenty Five Actions of the Manage Horse… John Vanderbank 1729
• A Young Gentleman Riding a Schooled Horse John Vanderbank 1728 -1729
• Mary, Countess Of Delorain John Vanderbank 1736
• A Scene from Don Quixote (Vol.II, Ch.XXIII) John Vanderbank between 1730 and 1736
• John Dodd, of Swallowfield, Berkshire John Vanderbank
• Mit verschränkten Händen sitzender Halbakt Gustav Klimt 1914-1915
• Helena Fourment and her son Frans Peter Paul Rubens ca. 1634-1635
• The Meeting of Anthony and Cleopatra Giovanni Battista Tiepolo 1696-1770
• Eve [‘The Nightmare’] Paul Gauguin 1899-1900
• Mlle. Victorine in the Costume of an ‘Espada’ Édouard Manet 1862
• A Shepherd Driving a Flock of Sheep through a Wood Thomas Gainsborough c. 1780
• Les Bêcheurs Jean-François Millet circa 1855-1856
• Tête d’homme Pierre Puvis de Chavannes 1886-1869
• Jan Uytenbogaert Rembrandt van Rijn 1639
• Two Ladies Seated and a Couple Walking on the Beach Eugène Boudin c. 1866
• The Sea Monster Albrecht Dürer c. 1501
• Telemachus and Mentor Landing on the Island of Calypso Edward Francis Burney
• Standing Nude Gustav Klimt 1906-1907
• Anthony and Cleopatra Gustave Doré
• The Landscape with the Cannon Albrecht Dürer 1518
• An Allegory of America Carrying the Cap of Liberty Edward Francis Burney
• The Beggar's Opera William Hogarth 1729
• The Fountain of Love Jean-Honoré Fragonard 1785
• Campo Sant’Angelo, Venice Canaletto 1730s
• Portrait of a Man Cornelis Troost 1723
• The Tribute Money Giuseppe Bazzani early 1740s
• An Italian Comedy Scene Nicolas Lancret c.1734
• Lady Anna Horatia Waldegrave Thomas Gainsborough ca. 1783
• The Molo, with the Piazzetta and the Doge’s Palace, from the Bacino Canaletto
• A Racehorse, Bridled and Saddled James Seymour
• Whitefoot at Exercise; Hooded and Rugged, Jockey up, Walking to Left James Seymour
• Study of Horses Edgar Degas c. 1886
• Springend paard Barend Hendrik Thier
• Study for ‘The Horse Fair’ Rosa Bonheur 1840-99
• The Herald of Murcia and Other Studies (recto) Ernest Meissonier c. 1860
• Study of a Dead Horse Théodore Géricault
• The Cadger’s Trot (first State) Thomas Bewick 1823
• A Fisherman Pulling a Net Jean-Honoré Fragonard 1774
• Turf, with Jockey up, at Newmarket George Stubbs ca. 1766
• Tochil’schik Printsip Mel’kaniia (The Knife Grinder or Principle of Glittering) Kazimir Malevich 1912-13
• Unloaders of Plaster (Canal St. Martin) Auguste Louis Lepère 1890
• Marsh El Lissitzky 1923
• Advancing Cavalrymen Adolf Schreyer