Fable XXXIX. The Man and the Flea
1793
Fable XXXIX. The Man and the Flea by John Wootton, 1793, Illustration, baroque
Related Artworks
- Fable XL. The Two Monkeys John Wootton 1793
- Fable XII. Cupid, Hymen, and Plutus John Wootton 1793
- A wooded classical landscape with figures resting in the foreground and bathing in the river, a town beyond John Wootton
- Rievaulx Abbey John Wootton ca. 1745
- Classical Landscape： Evening John Wootton 1740 - 1745
- Fable XLI. The Owl and the Farmer John Wootton 1793
- A Grey Spotted Hound John Wootton 1738
- Portrait Of The Duke Of Hamilton’s Hound ‘jewell’ John Wootton
- A Fox Hunt John Wootton ca. 1735
- Fable XXXIX. The Father and Jupiter John Wootton 1793
- Fable XLVIII. The Gardener and the Hog John Wootton 1793
- Fable XXVII. The Sick Man and the Angel John Wootton 1793
- Fable XXXVI. Pythagoras and the Countryman John Wootton 1793
- An Italianate landscape John Wootton
- Lamprey, with His Owner Sir William Morgan, at Newmarket John Wootton ca. 1723
- Fable XXVIII. The Persian, the Sun, and the Cloud John Wootton 1793
- A race meeting at Newmarket with Tragonwell Frampton John Wootton 1641-1727
- Fable IV. The Eagle and the Assembly of Animals John Wootton 1793
- Fable XLIV. The Hound and the Huntsman John Wootton 1793
- Fable XLVI. The Cur, the Horse, and the Shepherd’s Dog John Wootton 1793
- Fable XXV. The Scold and the Parrot John Wootton 1793
- Fable I. The Lion, the Tiger, and the Traveller John Wootton 1793
- The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire John Wootton 1791
- Macbeth And Banquo With The Three Witches John Wootton 1759
- The Vampire Edvard Munch 1987
- Plate 9, The Idle ‘Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice William Hogarth 1747
- —and then he kneeled down again, kissed the ground, and taking me by the foot, set my foot upon his head N. C. Wyeth 1920
- Horo-gaya – Mosquito net for a baby Kitagawa Utamaro 1793-1804
- Fishing with a Four-Armed Scoop-net (Yotsu Deami) (center component of triptych) Kitagawa Utamaro late 18th century - ca. 1806
- Chaucer’s Canterbury Pilgrims William Blake 1810
- Plate 7, The Idle ‘Prentice Returned from Sea and in a Garret with a Common Prostitute William Hogarth 1747
- The Second Stage of Cruelty; Second, Coachman Beating a Fallen Horse William Hogarth 1751
- Europe; a Prophecy – Title page William Blake 1794
- Lisbeth Carl Larsson 1894
- The Herring Net Winslow Homer 1885
- The frog prince Arthur Rackham 1913
- Philipp Melanchthon Lucas Cranach the Elder
- Jane Avril Henri de Toulouse-Lautrec 1893
- Two mice Katsushika Hokusai 1830-1850
- Wandering Women Kitagawa Utamaro circa 1790
- The Holy Family on the Steps Nicolas Poussin 1648
- Meisje met de parel Johannes Vermeer 1665
- Christ Presented to the People Rembrandt van Rijn 1655
- Landscape with Saint John on Patmos Nicolas Poussin 1640
- Ancient Rome Giovanni Paolo Panini 1757
- Christ crucified between the two Thieves： ‘The Three Crosses’ Rembrandt van Rijn 1653
- The Picture Gallery Of Archduke Leopold William David Teniers The Younger
- Abraham’s Sacrifice Rembrandt van Rijn 1655
- Fable XXXIX. The Man and the Flea John Wootton 1793
- Meadow Sweet Sir Edward Coley Burne-Jones
- Greatest number of eclipses in one year Asa Smith 1850
- Atlas Coelestis Pl.28 Johann Gabriel Doppelmayr 1742
- Tineida. – Motten Ernst Haeckel 1904
- Plate 3; Gemini, Orion, Taurus and other constellations. Ignace Gaston Pardies 1693
- Atlas Coelestis Pl.26 Johann Gabriel Doppelmayr 1742
- A new method of assisting the invention in drawing original compositions of landscape Pl.04 Alexander Cozens 1785
- Auriga, Lynx, Telescopium Herschelii, Perseus, Camelopardalus Johann Elert Bode 1801
- Naakte vrouw bij een sterrenhemel leunt op een rots in de vorm van een oude man Johann Jakob Weber