Chez l’impressario

Related Artworks

• Rococo Manners Juan-Antonio González 1887
• In the Corner Carl Larsson
• One Hundred Views of Mount Fuji, vol. 1(1834 Katsushika Hokusai printed 1875)
• Portrait of Martin Luther as an Augustinian Monk Lucas Cranach the Elder 1520
• Milton, a poem in 2 books Pl.42 William Blake 19th century
• The streetcar on Tremont Street Maurice Prendergast 1895-1897
• Olympia (1867) 2 Édouard Manet
• Tôji san bijin – Three beauties of the present day Kitagawa Utamaro 1793-1804
• Various Types of Torii Arch Katsushika Hokusai 1816
• The Kiss (‘Kyss’) Edvard Munch 1895
• Weib mit rotem Haar und grünen Augen. Die Sünde Edvard Munch 1902
• Cover of ‘The Yellow Book - an Illustrated Quarterly’, Volume I, April 1894 Aubrey Vincent Beardsley 1894
• Tamaya uchi Hanamurasaki, Sekiya, Teriha – Hanamurasaki of the Tamaya, Sekiya, Teriha Kitagawa Utamaro 1793-1804
• The Little Standard Bearer Albrecht Altdorfer c. 1506-38
• Snow at the top of the Tsukuba Mountain in Hitachi Province Katsushika Hokusai 1817
• Hamlet wants to follow his father’s ghost (Act I, scene iv) Eugène Delacroix 1864
• Pozzo’s architecture in perspective Andrea Pozzo 1707
• The Sower Sir John Everett Millais 1864
• Hari-shigoto – Needlework Kitagawa Utamaro 1793-1804
• El si pronuncian y la mano alargan Al primero que llega. (They say yes and give their hand to the first comer.) Francisco de Goya 1796-1797
• Mr. Garrick in the Character of Richard III William Hogarth 1746
• ‘Snap-the-Whip’ Winslow Homer 1872
• The man with the (carpet) bags@Illustration Thomas Nast
• —and no sooner had he the arms in his hands but, as if they had put new vigor into him, he flew upon his murderers like a fury N. C. Wyeth 1920
• The orthography, or geometrical elevation of the inside of S. Ignatius’s church. Andrea Pozzo 1707
• Plate 7, The Idle ‘Prentice Returned from Sea and in a Garret with a Common Prostitute William Hogarth 1747
• The Second Stage of Cruelty; Second, Coachman Beating a Fallen Horse William Hogarth 1751
• America, a Prophecy William Blake 1887
• ‘I am Sir Launcelot du Lake, King Ban’s son of Benwick, and knight of the Round Table’ N. C. Wyeth 1917
• Act XI Katsushika Hokusai 1806
• Hasta la muerte. (Until death.) Francisco de Goya 1796-1797
• Ya van desplumados. (There they go plucked.) Francisco de Goya 1796-1797
• Puck – ‘Lord what fools these mortals be’ Arthur Rackham 1908
• Frederick the Wise, Elector of Saxony Albrecht Dürer 1524
• Three Ronin on Road Utagawa Hiroshige 19th century
• Nanairo zazenmame Katsushika Hokusai 1804-1807
• Polin Henri de Toulouse-Lautrec 1898
• Portrait de femme Henri Matisse 1947
• Nackttänzerin Ernst Ludwig Kirchner 1921
• Kopf bei Kopf (Mann und Weib sich küssend) Edvard Munch 1905
• Madame X (Madame Pierre Gautreau) John Singer Sargent 1883-84
• Ellen Terry as Lady Macbeth John Singer Sargent 1889
• Madame X (Madame Pierre Gautreau) John Singer Sargent between 1883 and 1884
• The Birth of Venus Alexandre Cabanel 1875
• Lady With The Rose (Charlotte Louise Burckhardt) John Singer Sargent 1882
• Tarragona Terrace and Garden John Singer Sargent c. 1908
• Street in Venice John Singer Sargent 1882
• The Daughters of Edward Darley Boit John Singer Sargent 1882
• Dreams and Fantasies no.1 (The Skittle Alley) Nils Dardel 1922
• Sacharoff and Jawlensky on the balcony in St. Prex on Lake Geneva Marianne von Werefkin 1917-18
• The Fencing Lesson (recto) Richard Caton Woodville c. 1847-1849
• Stehender Bauer von vorn, seine Hose aufknöpfend Adriaen van Ostade
• Couple au restaurant Fernand Louis Gottlob 1904
• Le peintre Henri Regnault et monsieur X dans une maison de Nanterre, avant poste en 1871 Georges Jules Victor Clairin
• Old Woman sleeping Rembrandt van Rijn circa 1636
• In the Kitchen Charles Samuel Keene
• Portrait of Johann Anton Koch Hieronymus Hess ca. 1823
• On rend des comptes au gérant Paul Gavarni
• Folkelivsstudier Martinus Rørbye 1835
• Paar im Gespräch Dorothea Maetzel-Johannsen 1918
• Social debts Charles Dana Gibson 1900-1905
• Eine Gruppe sitzender Damen, einige halten Tassen in den Händen Daniel Nikolaus Chodowiecki ca. 1795