再び現る；遊女難波屋おきた

circa 1795-1796

歌麿は、伝説的な茶屋の娘・難波屋喜多田の静かな優雅さを捉え、彼女の長い顔と繊細な特徴が江戸時代の理想美を定義しています。彼女は優雅な指で茶碗を持ち、控えめな表情で視線を下げており、これが彼女を1790年代の日本で絶対的なスーパースターにしました。ファンは現代のポップスターのように、彼女の版画を買うために列を作りました。この作品は、彼の有名な美人比較シリーズの一部であり、肖像画に革命をもたらした彼の特徴的な大首絵スタイルを示し、彼を当時最も求められたアーティストにしました。

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