Nibijin ude-zumô – Braccio di ferro tra due bellezze

Related Artworks

• Kami-yui – Hairdresser Kitagawa Utamaro 1793-1804
• Wandering Women Kitagawa Utamaro circa 1790
• Lovers under a Futon; Opening Image to an Erotic Set Kitagawa Utamaro circa 1800
• Ten physiognomic types of women, Coquettish type Kitagawa Utamaro
• Nan’eki ha-jirushi – Ha…of the Southern Station Kitagawa Utamaro 1793-1804
• Kiseru o motsu onna – Woman holding a pipe Kitagawa Utamaro 1793-1804
• Hinakoto of Hyōgorō Kitagawa Utamaro circa 1795
• Shira-uchikake – The white surcoat Kitagawa Utamaro 1793-1804
• Woman Serving Tea at a Cafe Kitagawa Utamaro late 18th century - ca. 1806
• Woman and Man Cutting New Year’s Pine Boughs Kitagawa Utamaro late 18th century - ca. 1806
• Ōtomo no Kuronushi Kitagawa Utamaro circa 1804
• Tamaya uchi Hanamurasaki, Sekiya, Teriha – Hanamurasaki of the Tamaya, Sekiya, Teriha Kitagawa Utamaro 1793-1804
• Caps and Cranes Kitagawa Utamaro late 18th century - ca. 1806
• Rat and Horse Kitagawa Utamaro ca. 1800-1801
• The Courtesan Kisegawa Kitagawa Utamaro late 18th century - ca. 1806
• Yaoya Oshichi, Koshô Kichisaburô, Dozaemon Denkichi – Oshichi the greengrocer’s daughter, Kichisaburô the boy-servant and Dozaemon Denkichi Kitagawa Utamaro 1793-1804
• Tsukasa of Ōgiya Kitagawa Utamaro 1805
• The Calligraphy Lesson Kitagawa Utamaro circa 1803
• Courtesan Hanaogi of the Ogiya House Kitagawa Utamaro 1793
• Woodblock Printer, Distributing New Prints Kitagawa Utamaro 1803
• The Courtesan Ichikawa of the Matsuba Establishment Kitagawa Utamaro 1796
• Picture of the Middle Class Kitagawa Utamaro circa 1794-1795
• Yubi-sashi – Child pointing Kitagawa Utamaro 1793-1804
• Chichi – About to breastfeed Kitagawa Utamaro 1793-1804
• Si sabrá mas el discipulo (Might not the pupil know more) Francisco de Goya 1796-1797
• What to draw and how to draw it Pl.63 Edwin George Lutz 1913
• Blatt aus ‘Aus meinen Schlössern’ 5 Franz von Bayros ca 1923
• The Fight for the Water Hole Frederic Remington 1903
• The country of the quadlings William Wallace Denslow 1900
• The call for help Frederic Remington between 1906 and 1910
• City Square Francisco Fierro ca. 1850
• Corner Winter, Washington and Summer Streets, Boston Winslow Homer 1857
• Si amanece; nos Vamos. (When day breaks we will be off.) Francisco de Goya 1796-1797
• The Maternal Precaution Jean-François Millet 1860
• Miss dada menken André Gill 1867
• Portrait of Paris von Gütersloh (Bildnis Paris von Gütersloh) Egon Schiele 1918
• Unconditional surrender Grant Thomas Nast 1868
• Embarking from Brighthelmstone to Diepp Thomas Rowlandson 1787
• Bijutsukai Pl.27 Furuya Kōrin 1901
• Félicien David Edmond Morin 1876
• Plum Garden, Kameido Utagawa Hiroshige 1857
• Musashi Plain moon (Musashino no tsuki) Tsukioka Yoshitoshi 1885-1892
• Hitotsuya no tsuki Tsukioka Yoshitoshi 1880
• Arashi hinasuke no minamoto no raikō to iwai kumesaburō no yosoihime Utagawa Toyokuni I 1799
• Woman Holding Bowl and Tray before Window (cherry trees blooming outside) Utagawa Toyokuni I late 18th century - early 19th century
• Keinen shūgajō Pl.39 Imao Keinen 1906
• Women in Lavender Kimonos, Man in Black, Fan and Swords Utagawa Toyokuni I late 18th century - early 19th century
• Keinen kachō gafu Pl.106 Imao Keinen 1891
• Pomps And Vanities John Collier 1917
• Jurojin, from the series ‘A Comparison of the Treasures of the Gods of Good Fortune (Fukujin takara awase)’ Chōbunsai Eishi c. 1795
• Gi Utagawa Toyokuni I 1794
• Recueil Des Trophies Chinoises Pl.5 Jean-Baptiste Pillement 1920
• Yasuhide, from the series ‘Six Immortal Poets (Rokkasen)’ II Chōbunsai Eishi c. 1789-90
• Courtesan Riding an Elephant (Parody of the Bodhisattva Fugen) Masayoshi Kitao late 1700s-early 1800s