構造
circa 1920-22
Imagine looking at a blueprint for a futuristic city that never got built, where geometry rules the roost. László Moholy-Nagy, a rockstar teacher at the famous Bauhaus school, stripped art down to its bare bones to celebrate industrial order. Those tall, rigid bars rising against the cool blue background look less like a traditional landscape and more like a skyscraper or a machine part coming to life. He believed art should embrace technology and construction, making this piece a perfect visual manifesto for the modern age.
- Technique
- Oil on canvas
Views: 5