Hamlet. Ainda sou chamado – soltem-me, cavalheiros, pelo céu, farei um fantasma daquele que me soltar

1917-1918

Hamlet. Ainda sou chamado – soltem-me, cavalheiros, pelo céu, farei um fantasma daquele que me soltar by Louis Rhead, 1917-1918, Illustration, art_nouveau

Related Artworks

Romeo & Juliet. I must begone and live, or stay and die Louis Rhead 1917-1918
The century, midsummer holiday number Louis Rhead 1895
Macbeth, act IV, scene I Louis Rhead 1917-1918
Idylls of the King by Alfred Tennyson Louis Rhead 1898
The New York Herald; Sunday, December 15 Louis Rhead 1895
Century Magazine – Midsummer Holiday Number Louis Rhead 1894
Fuschia design for tea or coffee service Louis Rhead 1889
Photochrome engraving company Louis Rhead 1895
The history of over sea by William Morris Louis Rhead 1894
Comedy of errors, Plead you to me, fair dame Louis Rhead 1917-1918
Scribners for Xmas Louis Rhead 1895
The Sun. If You See It in The Sun It’s So Louis Rhead 1895
All’s well Louis Rhead 1917-1918
The century, Christmas number Louis Rhead ca. 1890[-]1920
A woman holds flowers Louis Rhead 1890-1920
Packer’s tar soap Louis Rhead 1910
Claudio, in the most passionate language, proclaimed the guilt of the blameless Hero Louis Rhead 1917-1918
Harper’s Bazar, Xmas 1894 Louis Rhead 1894
Miranda meets Fernando the first time Louis Rhead 1917-1918
The bookman Christmas number Louis Rhead ca. 1890[-]1920
The Pocket magazine Louis Rhead 1896
Two gentlemen of Verona. She beheld her lover serenading the Lady Silvia with music Louis Rhead 1917-1918
Tales from Shakespeare by Charles & Mary Lamb with numerous illustrations by Louis Rhead Louis Rhead 1917-1918
Masthead illustrations for Lamb’s Tales from Shakespeare – Contents Louis Rhead 1917-1918
Si sabrá mas el discipulo (Might not the pupil know more) Francisco de Goya 1796-1797
Kami-yui – Hairdresser Kitagawa Utamaro 1793-1804
Cours de dessin Pl.63 Charles Bargue 1867
All this while I sat upon the ground, very much terrified and dejected N. C. Wyeth 1920
Miseries of travelling; Being mounted on a beast . . . . Thomas Rowlandson 1807
John Bull (England) as Adam and a woman representing America as Eve in the Garden of Eden William Henry Walker 1903
Bijutsukai Pl.29 Furuya Kōrin 1901
Unique Specimens of Mineralogy Edward Francis Burney
Marthe Brandès, actrice Georges Goursat (Sem) 1901
El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) Francisco de Goya 1796-1797
De aanzegger Albert Hahn 1904 - 1953
The method of drawing the net of lattice-work on vaults. Andrea Pozzo 1707
The plan and elevation of a corbel in perspective. Andrea Pozzo 1707
The Ingoldsby legends. The dead drummer Arthur Rackham 1906-1921
N° 3 – Tout à coup il se vit pousser d’horribles ailes Emile Bernard 1935
Dernière Nouveauté Félix Vallotton 1893
Klinger Plakate Hollerbaum und Schmidt Julius Klinger 1911
Deux chats au repos Théophile Alexandre Steinlen 1914
Poésies. Vol. 2, Un spectacle dans un fauteuil Pl.13 Umberto Brunelleschi 1948
Bacchanalia Wojciech Weiss 1903
Der Polster Max Kurzweil
Relief with a mother and children Robert Anning Bell 1906
Floréal. Théophile Alexandre Steinlen 1921
Abstract design based on flowers and arabesques. Alphonse Mucha 1900
`Ware spies! You didn’t oughter said it! Bert Thomas between 1939 and 1946
Kopfstudie, aus; ‘Profile’, 10 Blätter, Graz IV Karl Wiener 1924
Contes des fées Pl.02 Gustave Doré 1876
Deer Hunting By Torchlight In Bark Canoes George Catlin 1846-1848
Susanna im Bade Franz von Stuck 1913
Jack and the bean-stalk Pl.6 Walter Crane 1876
Ethel et Ordener surpris par le lieutenant d’Ahlefeld Georges Antoine Rochegrosse 1884
Les ombres parlantes Edmond Morin 1880
Without any ado Gustave Doré 1865
The devil’s masterpiece Gordon Ross 1910
Danger Ahead Winslow Homer 1870
Diana And Actaeon Henryk Siemiradzki 1886
Diana and Actaeon Alessandro Turchi 1600
What came of picking Jessamine Henry Justice Ford 1905