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Related Artworks

• Au Théâtre National de l’Opéra -Comique. La Rôtisserie de la reine Pédauque Lucien Marie François Métivet 1920
• Emprunt National Societe Generale Lucien Marie François Métivet 1920
• Tournée Moncharmont et M. Luguet, prochainement Cyrano de Bergerac Lucien Marie François Métivet 1897
• Théâtre de l’Athénée-Comique, Rue Boudreau (rue Auber) Lucien Marie François Métivet 1895
• Emprunt national. Société générale Lucien Marie François Métivet 1920
• Eugénie Buffet – Ambassadeurs Lucien Marie François Métivet 1893
• Theâtre De L’athenee Comique Rue Boudreau Lucien Marie François Métivet 1890
• Théâtre des Variétés. Les dragons de l’impératrice Lucien Marie François Métivet 1905
• Fervaal Lucien Marie François Métivet
• Joël Sur Son Char ; Tableau De La Pièce Le Rêve De Joël Lucien Marie François Métivet 1890
• In the Corner Carl Larsson
• One Hundred Views of Mount Fuji, vol. 1(1834 Katsushika Hokusai printed 1875)
• Portrait of Martin Luther as an Augustinian Monk Lucas Cranach the Elder 1520
• Milton, a poem in 2 books Pl.42 William Blake 19th century
• The streetcar on Tremont Street Maurice Prendergast 1895-1897
• Olympia (1867) 2 Édouard Manet
• Tôji san bijin – Three beauties of the present day Kitagawa Utamaro 1793-1804
• Various Types of Torii Arch Katsushika Hokusai 1816
• The Kiss (‘Kyss’) Edvard Munch 1895
• Weib mit rotem Haar und grünen Augen. Die Sünde Edvard Munch 1902
• Cover of ‘The Yellow Book - an Illustrated Quarterly’, Volume I, April 1894 Aubrey Vincent Beardsley 1894
• Tamaya uchi Hanamurasaki, Sekiya, Teriha – Hanamurasaki of the Tamaya, Sekiya, Teriha Kitagawa Utamaro 1793-1804
• The Little Standard Bearer Albrecht Altdorfer c. 1506-38
• Snow at the top of the Tsukuba Mountain in Hitachi Province Katsushika Hokusai 1817
• Hamlet wants to follow his father’s ghost (Act I, scene iv) Eugène Delacroix 1864
• Pozzo’s architecture in perspective Andrea Pozzo 1707
• The Sower Sir John Everett Millais 1864
• Hari-shigoto – Needlework Kitagawa Utamaro 1793-1804
• El si pronuncian y la mano alargan Al primero que llega. (They say yes and give their hand to the first comer.) Francisco de Goya 1796-1797
• Mr. Garrick in the Character of Richard III William Hogarth 1746
• ‘Snap-the-Whip’ Winslow Homer 1872
• The man with the (carpet) bags@Illustration Thomas Nast
• —and no sooner had he the arms in his hands but, as if they had put new vigor into him, he flew upon his murderers like a fury N. C. Wyeth 1920
• The orthography, or geometrical elevation of the inside of S. Ignatius’s church. Andrea Pozzo 1707
• Plate 7, The Idle ‘Prentice Returned from Sea and in a Garret with a Common Prostitute William Hogarth 1747
• The Second Stage of Cruelty; Second, Coachman Beating a Fallen Horse William Hogarth 1751
• America, a Prophecy William Blake 1887
• ‘I am Sir Launcelot du Lake, King Ban’s son of Benwick, and knight of the Round Table’ N. C. Wyeth 1917
• Act XI Katsushika Hokusai 1806
• Hasta la muerte. (Until death.) Francisco de Goya 1796-1797
• Headpiece for Malory’s ‘Morte d’Arthur’ Aubrey Vincent Beardsley ca. 1893
• October Carl Larsson 1882
• The Landing Stage Santiago Rusiñol 1911
• Lettre à Ninon Théophile Alexandre Steinlen 1897
• A Fairy (Kersti In The Meadow) Carl Larsson 1899
• Ulf Carl Larsson
• Praying Angels and Poppies (Border Design for Thomas Malory, ‘Le Morte d’Arthur’) Aubrey Vincent Beardsley 1893
• Cover of ‘The Yellow Book - an Illustrated Quarterly’, Volume II, July 1894 Aubrey Vincent Beardsley 1894
• Moderne Amoretten Hans Makart 1868