サラメ
1930
Manuel Orazi’s 1930 illustration of Salomé captures the femme fatale in a striking, elongated form that bridges the flowing curves of Art Nouveau with the sharp geometry of Art Deco. She stands completely nude but commands attention with her Egyptian-inspired headdress and heavy, stacked bracelets, hovering above a vibrant blue backdrop of concentric circles and bold squares. Orazi was famous for his theatrical poster designs, and here he turns the biblical seductress into a stylized, almost architectural icon of danger and beauty. It’s a perfect snapshot of how early 20th-century artists reimagined ancient myths for a modern, jazz-age audience.