도판 10; 마지막 사람들
1919
Max Beckmann captures the raw, chaotic energy of post-WWI Germany in this intense scene. Titled 'The Last Ones,' it's part of his famous 'Hell' portfolio, created right after he suffered a nervous breakdown from his war experiences. You can see a terrified man being cornered by a mob of armed figures—some look like police or soldiers with helmets and guns, others like thugs with clubs. The perspective is tilted and claustrophobic, making you feel like you're right in the middle of the violence. It's a stark reflection of the political turmoil and street fights that plagued Berlin in 1919.
- Technique
- Lithograph
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