Um exótico na estufa da Leadenhall Street

Related Artworks

• The mirror of the times Richard Dighton 1824
• Mr. Ashton Smith Richard Dighton 1841
• A View of Somerset Richard Dighton 1811
• Pshaw! What are you there Richard Dighton 1822
• A view of Westmoreland, or an impression of the privy seal. Richard Dighton 1821
• Absolute wisdom, or Queen’s owl. Taken from a Wood. Richard Dighton
• A discharg’d Fifer. Richard Dighton 1821
• A view from the horse guards Richard Dighton 1817
• Elegant Manners. Richard Dighton 1821
• I believe I’m right. Richard Dighton 1823
• A Citizen of the World Richard Dighton
• A contract Richard Dighton 1824
• A friend in Lombard Street Richard Dighton 1824
• A Stirling banker Richard Dighton 1824
• Lord Henry Charles Capel Somerset, 5th Light Infantry – Cheltenham Richard Dighton between 1837 and 1848
• A view in the Justice Room, Guildhall Richard Dighton 1824
• A great man on change. Richard Dighton 1824
• Mr. C. Kemble as Charles Surface in the School for Scandal. Richard Dighton 1821
• A View of the Telegraph, Cambridge Richard Dighton 1809
• A view from the Royal Exchange. Richard Dighton 1824
• A worthy alderman of London. Richard Dighton 1824
• Mr. Lindsey. Richard Dighton 1824
• Sir Murray Maxwell Kt CB Richard Dighton 1818
• R. W. Selby-Lowndes in a Scarlet Coat Richard Dighton 1843
• The Orrery Joseph Wright of Derby 1768
• El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) Francisco de Goya 1796-1797
• I stood like one thunderstruck, or as if I had seen an apparition N. C. Wyeth 1920
• Hamlet and Laertes fight in the grave (Act V, scene I Eugène Delacroix 1864
• At the Moulin Rouge; La Goulue and Her Sister Henri de Toulouse-Lautrec 1892
• Shinagawa Katsushika Hokusai 1810
• Worse than slavery Thomas Nast 1874
• The Dead Man (Der tote Mann) Wilhelm Lehmbruck 1915
• Notes sur l’amour Pl 07 Pierre Bonnard 1922
• Shinshi-bari – Cloth-stretcher Kitagawa Utamaro 1793-1804
• The Girl He Left Behind Him Winslow Homer 1864
• Drohung Ferdinand Freiherr von Reznicek 1908
• Combing Their Hair Henri de Toulouse-Lautrec 1896
• Transmitting the Spirit and Revealing the Form of Things_ Hokusai's Sketchbooks, vol. 5b Katsushika Hokusai 1816
• Marcelle Lender and Eva Lavalliére in a Revue at the Variétés Henri de Toulouse-Lautrec 1895
• The Girl at the Window Edvard Munch 1894
• Bottler’s Wagon Donald Humphrey c. 1937
• Retablo E. Boyd 1935-1942
• Reptiles VI Frederick McCoy 1885-1890
• Asalto de la tercera columna argentina a Curupaytí Cándido Lopez 1893
• Under the window; pictures & rhymes for children Pl.46 Kate Greenaway 1878
• A Scene in Tours Frederick G. Hall 1927
• Little French Market Frederick G. Hall 1926
• The Pied Piper of Hamelin Pl 14 Kate Greenaway 1910
• Hagi Utagawa Toyokuni I 1809
• Imamurasaki, a Prostitute of the Kinpei Daikoku House Tsukioka Yoshitoshi 1887
• Japanese Parasol Frederick Carl Frieseke circa 1913
• 花卉山水-9 纸本 24.5x28.9 Chen Hongshou
• The Letter Okumura Masanobu 18th century
• The Peacock Fan Georges Jules Victor Clairin
• Nan’eki ha-jirushi – Ha…of the Southern Station Kitagawa Utamaro 1793-1804
• Mrs. Charles Anstruther-Thomson John Singer Sargent
• English Manners and French prudence or French dragoons brought to a check by a Belvoir leap. A scene after nature near Ciudad Rodrigo September 1811 Thomas Rowlandson 1811
• The Peasants at Market Albrecht Dürer 1519
• Robert de Montesquiou et Gabriel Yturri Georges Goursat (Sem) 1905
• Secours aux marins Georges Goursat (Sem) 1919
• The doctor called up or the false alarm Thomas Rowlandson 1786
• The drill. ‘Dismiss’ – ‘as you were’ (steady there in the rear rank.) John Doyle 1846-1847