Testatina decorativa per la pagina 24 dell'edizione di Bell de La Tempesta

Related Artworks

• Relief with a mother and children Robert Anning Bell 1906
• Illustration to act 5, scene 1 of Bell’s edition of The tempest Robert Anning Bell 1900
• Decorative head-piece to page 106 of Bell’s edition of The tempest Robert Anning Bell 1900
• Decorative tail-piece to page 79 of Bell’s edition of The tempest] [Robert Anning Bell Robert Anning Bell 1900
• The Tempest; Illustration to act 1, scene 2 Robert Anning Bell 1900
• Prospero and Ariel from act 1, scene 2 of the Tempest Robert Anning Bell 1900
• Design for right-hand page of a two-page opening to act 5 of Bell’s edition of The tempest Robert Anning Bell 1900
• Tail-piece design for Bell’s edition of The tempest Robert Anning Bell 1900
• The Tempest; Act 2, scene 1 Robert Anning Bell 1900
• Act 1, scene 2 of the Tempest, Prospero and Caliban Robert Anning Bell 1900
• Decorative tail-piece to page 105 of Bell’s edition of The tempest Robert Anning Bell 1900
• Illustration and illuminated initial letter for first page to act 2, scene 1 of Bell’s edition of The tempest Robert Anning Bell 190
• The Tempest; Act 1, scene 1 Robert Anning Bell 1900
• The Tempest; Act 4, scene 1 Robert Anning Bell 1900
• Trinculo Robert Anning Bell 1900
• The Marriage at Cana Robert Anning Bell 1911
• Illustration to act 3, scene 3 of The tempest Robert Anning Bell 1900
• Illustration to act 1, scene 1 of Bell’s edition of The tempest Robert Anning Bell 1900
• The mandolin player Robert Anning Bell 1918
• The Tempest; Decorative tail-piece Robert Anning Bell 1900
• The Tempest; Miranda Robert Anning Bell 1900
• Ariel as a water-nymph Robert Anning Bell 1900
• Design for full-page illustration to act 5, scene 1 of Bell’s edition of The tempest Robert Anning Bell 1900
• The tempest Robert Anning Bell 1900
• Kami-yui – Hairdresser Kitagawa Utamaro 1793-1804
• Si sabrá mas el discipulo (Might not the pupil know more) Francisco de Goya 1796-1797
• What to draw and how to draw it Pl.63 Edwin George Lutz 1913
• Blatt aus ‘Aus meinen Schlössern’ 5 Franz von Bayros ca 1923
• The Fight for the Water Hole Frederic Remington 1903
• The country of the quadlings William Wallace Denslow 1900
• The call for help Frederic Remington between 1906 and 1910
• City Square Francisco Fierro ca. 1850
• Corner Winter, Washington and Summer Streets, Boston Winslow Homer 1857
• Si amanece; nos Vamos. (When day breaks we will be off.) Francisco de Goya 1796-1797
• The Maternal Precaution Jean-François Millet 1860
• Miss dada menken André Gill 1867
• Portrait of Paris von Gütersloh (Bildnis Paris von Gütersloh) Egon Schiele 1918
• Unconditional surrender Grant Thomas Nast 1868
• Embarking from Brighthelmstone to Diepp Thomas Rowlandson 1787
• Bijutsukai Pl.27 Furuya Kōrin 1901
• Deux chats au repos Théophile Alexandre Steinlen 1914
• Gamochonia. – Trichterkraken Ernst Haeckel 1904
• Klinger Plakate Hollerbaum und Schmidt Julius Klinger 1911
• Landschaft mit Windmühle Eugen Jettel 1881
• Histoire charmante de l’adolescente sucre d’amour Pl.4 Francois-Louis Schmied 1927
• Vue de Belmont, près de Lausanne, n° 2 Théophile Alexandre Steinlen 1913
• Premier mai Théophile Alexandre Steinlen 1894
• Prismes-34 Emile-Allain Séguy 1931
• Harper’s Young People; The Fur-Seal’s Tooth by Kirk Monroe Edward Penfield 1894
• The sea fairies pl 27 John Rea Neill 1911
• The sea fairies pl 12 John Rea Neill 1911
• A hundred anecdotes of animals pl 007 Percy J. Billinghurst 1901
• Bookplate： Else Hackenjost Heinrich Vogeler 1923
• William B. Foster Frederick Garrison Hall 1905
• The sea fairies pl 01 John Rea Neill 1911
• Ontwerp voor boekomslag voor Karl Baarslag’s ‘S.O.S’, met voorstelling van een schip in een storm Leo Gestel 1891