Tail-piece auf Seite 24 von Bells Ausgabe des Sturms

Related Artworks

• Illustration to act 5, scene 1 of Bell’s edition of The tempest Robert Anning Bell 1900
• Decorative head-piece to page 106 of Bell’s edition of The tempest Robert Anning Bell 1900
• Decorative tail-piece to page 79 of Bell’s edition of The tempest] [Robert Anning Bell Robert Anning Bell 1900
• The Tempest; Illustration to act 1, scene 2 Robert Anning Bell 1900
• Prospero and Ariel from act 1, scene 2 of the Tempest Robert Anning Bell 1900
• Design for right-hand page of a two-page opening to act 5 of Bell’s edition of The tempest Robert Anning Bell 1900
• Tail-piece design for Bell’s edition of The tempest Robert Anning Bell 1900
• The Tempest; Act 2, scene 1 Robert Anning Bell 1900
• Act 1, scene 2 of the Tempest, Prospero and Caliban Robert Anning Bell 1900
• Decorative tail-piece to page 105 of Bell’s edition of The tempest Robert Anning Bell 1900
• Illustration and illuminated initial letter for first page to act 2, scene 1 of Bell’s edition of The tempest Robert Anning Bell 190
• The Tempest; Act 1, scene 1 Robert Anning Bell 1900
• The Tempest; Act 4, scene 1 Robert Anning Bell 1900
• Trinculo Robert Anning Bell 1900
• The Marriage at Cana Robert Anning Bell 1911
• Illustration to act 3, scene 3 of The tempest Robert Anning Bell 1900
• Illustration to act 1, scene 1 of Bell’s edition of The tempest Robert Anning Bell 1900
• The mandolin player Robert Anning Bell 1918
• The Tempest; Decorative tail-piece Robert Anning Bell 1900
• The Tempest; Miranda Robert Anning Bell 1900
• Ariel as a water-nymph Robert Anning Bell 1900
• Design for full-page illustration to act 5, scene 1 of Bell’s edition of The tempest Robert Anning Bell 1900
• The tempest Robert Anning Bell 1900
• The Tempest; Act 5, scene 1 Robert Anning Bell 1900
• Si sabrá mas el discipulo (Might not the pupil know more) Francisco de Goya 1796-1797
• Kami-yui – Hairdresser Kitagawa Utamaro 1793-1804
• Cours de dessin Pl.63 Charles Bargue 1867
• All this while I sat upon the ground, very much terrified and dejected N. C. Wyeth 1920
• Miseries of travelling; Being mounted on a beast . . . . Thomas Rowlandson 1807
• John Bull (England) as Adam and a woman representing America as Eve in the Garden of Eden William Henry Walker 1903
• Bijutsukai Pl.29 Furuya Kōrin 1901
• Unique Specimens of Mineralogy Edward Francis Burney
• Marthe Brandès, actrice Georges Goursat (Sem) 1901
• El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) Francisco de Goya 1796-1797
• De aanzegger Albert Hahn 1904 - 1953
• The method of drawing the net of lattice-work on vaults. Andrea Pozzo 1707
• The plan and elevation of a corbel in perspective. Andrea Pozzo 1707
• The Ingoldsby legends. The dead drummer Arthur Rackham 1906-1921
• N° 3 – Tout à coup il se vit pousser d’horribles ailes Emile Bernard 1935
• Dernière Nouveauté Félix Vallotton 1893
• Klinger Plakate Hollerbaum und Schmidt Julius Klinger 1911
• Deux chats au repos Théophile Alexandre Steinlen 1914
• Poésies. Vol. 2, Un spectacle dans un fauteuil Pl.13 Umberto Brunelleschi 1948
• Bacchanalia Wojciech Weiss 1903
• Der Polster Max Kurzweil
• Floréal. Théophile Alexandre Steinlen 1921
• Abstract design based on flowers and arabesques. Alphonse Mucha 1900
• Harper’s November Edward Penfield 1893
• Nude Model Giovanni Boldini
• Study for figure of 3 pm in ‘The Hours’ ceiling at the state capitol building in Harrisburg, Pennsylvania Edwin Austin Abbey 1885
• La Belle de chamonix ; Jaquette hermine et renard blanc, de Max-A. Leroy Charles Martin 1924
• Étude de figures volantes 4 Luc-Olivier Merson
• Study for Sea = Dancer Gino Severini 1913
• Studies of Angels and Cupids Alessandro Casolani
• Figure Bending Backwards Oskar Schlemmer 1931
• Allegorische Figur auf einem Wagen Gaspare Diziani
• Three Female Nudes 2 Nicaise De Keyser