Tail-piece auf Seite 25 von Bells Ausgabe des Sturms

Related Artworks

• Relief with a mother and children Robert Anning Bell 1906
• Illustration to act 5, scene 1 of Bell’s edition of The tempest Robert Anning Bell 1900
• Decorative head-piece to page 106 of Bell’s edition of The tempest Robert Anning Bell 1900
• Decorative tail-piece to page 79 of Bell’s edition of The tempest] [Robert Anning Bell Robert Anning Bell 1900
• The Tempest; Illustration to act 1, scene 2 Robert Anning Bell 1900
• Prospero and Ariel from act 1, scene 2 of the Tempest Robert Anning Bell 1900
• Design for right-hand page of a two-page opening to act 5 of Bell’s edition of The tempest Robert Anning Bell 1900
• Tail-piece design for Bell’s edition of The tempest Robert Anning Bell 1900
• The Tempest; Act 2, scene 1 Robert Anning Bell 1900
• Act 1, scene 2 of the Tempest, Prospero and Caliban Robert Anning Bell 1900
• Decorative tail-piece to page 105 of Bell’s edition of The tempest Robert Anning Bell 1900
• Illustration and illuminated initial letter for first page to act 2, scene 1 of Bell’s edition of The tempest Robert Anning Bell 190
• The Tempest; Act 1, scene 1 Robert Anning Bell 1900
• The Tempest; Act 4, scene 1 Robert Anning Bell 1900
• Trinculo Robert Anning Bell 1900
• The Marriage at Cana Robert Anning Bell 1911
• Illustration to act 3, scene 3 of The tempest Robert Anning Bell 1900
• Illustration to act 1, scene 1 of Bell’s edition of The tempest Robert Anning Bell 1900
• The mandolin player Robert Anning Bell 1918
• The Tempest; Decorative tail-piece Robert Anning Bell 1900
• The Tempest; Miranda Robert Anning Bell 1900
• Ariel as a water-nymph Robert Anning Bell 1900
• Design for full-page illustration to act 5, scene 1 of Bell’s edition of The tempest Robert Anning Bell 1900
• The tempest Robert Anning Bell 1900
• The Orrery Joseph Wright of Derby 1768
• El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) Francisco de Goya 1796-1797
• I stood like one thunderstruck, or as if I had seen an apparition N. C. Wyeth 1920
• Hamlet and Laertes fight in the grave (Act V, scene I Eugène Delacroix 1864
• At the Moulin Rouge; La Goulue and Her Sister Henri de Toulouse-Lautrec 1892
• Shinagawa Katsushika Hokusai 1810
• Worse than slavery Thomas Nast 1874
• The Dead Man (Der tote Mann) Wilhelm Lehmbruck 1915
• Notes sur l’amour Pl 07 Pierre Bonnard 1922
• Shinshi-bari – Cloth-stretcher Kitagawa Utamaro 1793-1804
• The Girl He Left Behind Him Winslow Homer 1864
• Drohung Ferdinand Freiherr von Reznicek 1908
• Combing Their Hair Henri de Toulouse-Lautrec 1896
• Transmitting the Spirit and Revealing the Form of Things_ Hokusai's Sketchbooks, vol. 5b Katsushika Hokusai 1816
• Marcelle Lender and Eva Lavalliére in a Revue at the Variétés Henri de Toulouse-Lautrec 1895
• The Girl at the Window Edvard Munch 1894
• Floréal; dessins & coloris nouveaux Pl.05 Emile-Allain Séguy 1925
• Arguments frappants Théophile Alexandre Steinlen 1898
• Deux chats couchés sur un canapé Théophile Alexandre Steinlen 1896
• Napoleon’s love affairs & other great features in the July Metropolitan Edward Penfield 1900
• Maison, 4 avenue Junot Ferdinand Boberg 1926
• Fête nationale Théophile Alexandre Steinlen 1894
• There was a Lady Loved a Swine. Walter Crane 1877
• Prismes-26 Emile-Allain Séguy 1931
• La Voile grise Odilon Redon 1900-05
• Two Girls in a Rowboat Winslow Homer 1880
• Saved Winslow Homer 1889
• Ombelle jaune Louis Welden Hawkins 1910
• Interior with Two Figures, Open Window Henri Matisse 1922
• With Sloping Mast And Dipping Prow Albert Pinkham Ryder ca. 1880-1885
• Lurch to Leeward George Hand Wright 1895
• Attraction I Edvard Munch 1995
• Nocturne. Swans in the Saxon Garden in Warsaw at night (Sleeping swans, Swans at night) Józef Pankiewicz from 1893 until 1894