Le pique-nique de l'école du dimanche

Related Artworks

• Fortune; Bah! why do artists always represent Fortune as a woman Rose Cecil O'Neill 1903
• A young girl kneels to pray, while behind her a woman guides a younger girl towards an empty chair. Rose Cecil O'Neill 1902
• Suffrage kewpies Rose Cecil O'Neill 1915
• Dorothy’s fifth birthday Jell-o Rose Cecil O'Neill 1920
• June flowers Rose Cecil O'Neill 1905
• A girl shows her doll to a woman, while a boy plays with a toy train on the floor. Rose Cecil O'Neill
• A wealthy girl turns up her nose at a poor girl, who is carrying a baby on her back. Rose Cecil O'Neill 1902
• The next candidate for statehood Rose Cecil O'Neill 1901
• Give Mother the Vote, We Need It Rose Cecil O'Neill c. 1915
• In Georgia Rose Cecil O'Neill 1900
• When we all believe Rose Cecil O'Neill 1903
• His full name Rose Cecil O'Neill 1900
• The bachelor’s last Christmas eve Rose Cecil O'Neill 1900
• Immaterial Rose Cecil O'Neill 1901
• Sure to enjoy it Rose Cecil O'Neill 1901
• In the Corner Carl Larsson
• One Hundred Views of Mount Fuji, vol. 1(1834 Katsushika Hokusai printed 1875)
• Portrait of Martin Luther as an Augustinian Monk Lucas Cranach the Elder 1520
• Milton, a poem in 2 books Pl.42 William Blake 19th century
• The streetcar on Tremont Street Maurice Prendergast 1895-1897
• Olympia (1867) 2 Édouard Manet
• Tôji san bijin – Three beauties of the present day Kitagawa Utamaro 1793-1804
• Various Types of Torii Arch Katsushika Hokusai 1816
• The Kiss (‘Kyss’) Edvard Munch 1895
• Weib mit rotem Haar und grünen Augen. Die Sünde Edvard Munch 1902
• Cover of ‘The Yellow Book - an Illustrated Quarterly’, Volume I, April 1894 Aubrey Vincent Beardsley 1894
• Tamaya uchi Hanamurasaki, Sekiya, Teriha – Hanamurasaki of the Tamaya, Sekiya, Teriha Kitagawa Utamaro 1793-1804
• The Little Standard Bearer Albrecht Altdorfer c. 1506-38
• Snow at the top of the Tsukuba Mountain in Hitachi Province Katsushika Hokusai 1817
• Hamlet wants to follow his father’s ghost (Act I, scene iv) Eugène Delacroix 1864
• Pozzo’s architecture in perspective Andrea Pozzo 1707
• The Sower Sir John Everett Millais 1864
• Hari-shigoto – Needlework Kitagawa Utamaro 1793-1804
• El si pronuncian y la mano alargan Al primero que llega. (They say yes and give their hand to the first comer.) Francisco de Goya 1796-1797
• Mr. Garrick in the Character of Richard III William Hogarth 1746
• ‘Snap-the-Whip’ Winslow Homer 1872
• The man with the (carpet) bags@Illustration Thomas Nast
• —and no sooner had he the arms in his hands but, as if they had put new vigor into him, he flew upon his murderers like a fury N. C. Wyeth 1920
• The orthography, or geometrical elevation of the inside of S. Ignatius’s church. Andrea Pozzo 1707
• Plate 7, The Idle ‘Prentice Returned from Sea and in a Garret with a Common Prostitute William Hogarth 1747
• Headpiece for Malory’s ‘Morte d’Arthur’ Aubrey Vincent Beardsley ca. 1893
• October Carl Larsson 1882
• The Landing Stage Santiago Rusiñol 1911
• Lettre à Ninon Théophile Alexandre Steinlen 1897
• A Fairy (Kersti In The Meadow) Carl Larsson 1899
• Ulf Carl Larsson
• Praying Angels and Poppies (Border Design for Thomas Malory, ‘Le Morte d’Arthur’) Aubrey Vincent Beardsley 1893
• Cover of ‘The Yellow Book - an Illustrated Quarterly’, Volume II, July 1894 Aubrey Vincent Beardsley 1894
• Chestnutting Winslow Homer 1870
• Et bordel Jan Miense Molenaer
• Tänzerin mit Tamburin und Dudelsackspieler Claude Lorrain ca 1648
• Bachelor’s Hall Robert Dighton
• Country Kermis Cornelis Dusart 1680 - 1704
• Mémoires d’une glace Pl.21 Albert Guillaume 1894
• The Future Sportsmen Nikolai Bogdanov-Belsky
• The return of the ‘prodigal father’ at the ‘Puck’ office – drawn by himself Joseph Ferdinand Keppler 1883
• Conviviality Near the Inn Constantijn a Renesse early 1650s