Der Zweite Patriarch reguliert seinen Geist, Teil I, auf Papier 35.5x129, Japan
Here we see the Second Patriarch of Chan Buddhism, looking less like a solemn sage and more like a guy who just finished a huge meal and needs a nap. Painted by the eccentric Shi Ke in the 10th century, the wild, jagged brushstrokes of the robes look almost like calligraphy gone rogue. While the title 'Tuning the Mind' implies deep meditation, his slumped posture suggests he's dozing off—perfectly capturing the Zen belief that enlightenment is found in ordinary moments like sleeping. This rebellious style was controversial in China but became a treasured National Treasure in Japan.
- Technique
- Ink wash painting
- Material
- Paper
Location: Tokyo National Museum