Seaside Lodgings
1896
Seaside Lodgings by Sir John Tenniel, 1896, Illustration, academic
Related Artworks
- Happy families Pl.02 Sir John Tenniel 1860s
- From the Nile to the Neva Sir John Tenniel 1890
- Tracing of the White Rabbit holding his watch Sir John Tenniel 1866
- Uncle Toby and Widow Wadman Sir John Tenniel 1893
- ‘Retire!— What do you think’ Sir John Tenniel 1891
- Bear or Bug-Bear Sir John Tenniel 1888
- Happy families Pl.41 Sir John Tenniel 1860s
- Plain English Sir John Tenniel 1890
- Shifting his Capital Sir John Tenniel 1900
- Drawing of Father William balancing an eel on the end of his nose Sir John Tenniel 1866
- Shakspeare and the Pigmies Sir John Tenniel 1864
- Silent! Sir John Tenniel 1895
- Easing the Curb Sir John Tenniel 1869
- Happy families Pl.26 Sir John Tenniel 1860s
- The Queen’s Year! Sir John Tenniel 1897
- Tracing of Hatter and March Hare putting dormouse in teapot Sir John Tenniel 1866
- Happy families Pl.36 Sir John Tenniel 1860s
- The ‘Irrepressible’ Tourist Sir John Tenniel 1885
- Another drawing of the illustration on p. 81 Sir John Tenniel 1866
- Drawing of the Mock Turtle and Gryphon sing to Alice Sir John Tenniel 1866
- Happy families Pl.30 Sir John Tenniel 1860s
- Separatists Sir John Tenniel 1890
- The Damp Roman Candle Sir John Tenniel 1874
- Tracing of the Hatter running Sir John Tenniel 1866
- Noanoa Pl.10 Paul Gauguin
- Bonne précaution Fernand Louis Gottlob 1905
- Ex Libris Paul H. Schulthes II Heinrich Vogeler 1922
- Six floriated Crosses Augustus Pugin 1846
- La Ronde Henri Le Sidaner 1898-1899
- How the Draken found Herr Lazarus asleep by the Spring Henry Justice Ford 1905
- Trompe l’oeil design for a ceiling Jules-Edmond-Charles Lachaise 19th Century
- Ysele quema la Casa. (And his house is on fire.) Francisco de Goya 1796-1797
- Oilcake Crushers Edward Gordon Craig 1899
- Bauer mit Hacke Emil Rudolf Weiss 1902
- Ehr` und Gewinn mehrt Deutscher Sinn Franz Wacik 1915
- A Sure Sign Frederic Remington 1902
- Four studies of crucified figures Peter Paul Rubens
- Gazette du Bon Ton – Croquis No III Raoul Dufy 1920
- Two Ronin Looking into Yoshiwara Utagawa Hiroshige 19th century
- The geometrical plan, and first preparation to the seventy-first figure. Andrea Pozzo 1707
- Bedouin Tent John Singer Sargent 1905-6
- Lexington – Major Pitcarin’s Pistols Ernest Peixotto 1897
- Die Pause Carl Wilhelm Anton Seiler 1916
- Ganz bei der Sache Hermann Kern
- Pigs. Study for During Fasting Time Carl Gustaf Hellqvist 1884
- Botanisches Handbuch Pl.45 Christian Schkuhr 1808
- Hamlet; ‘Why look you there! look how it steals away – out at the portal!’ Act III, Scene iv, Hamlet Edwin Austin Abbey 1902
- The Death of Orpheus Émile Bin 1874
- King and Demagogue, plate 8 from the portfolio ‘Day and Dream’ Max Beckmann 1946
- Die Schriftgiesserei im Schattenbild Pl.06 Rudolf Koch 1936
- Still Life with Oysters and Grapes Jan Davidsz de Heem 1653
- Pokal, auf drei Kugelfüssen stehend Albrecht Altdorfer 1530
- Macready as Richelieu James Sant 1850
- Man, Pointing Upward, and Soldier in Repose Salvator Rosa 1656 - 1657
- ‘Generosity versus Greed’, a woman and three men conducting a transaction inside a shop Francisco de Goya 1796-1798
- Drei männliche Kopfstudien Johann Heinrich Wilhelm Tischbein
- Edward Becher Leacroft of Wirksworth Joseph Wright of Derby 1762
- Lully (Gypsy) Vasily Vereshchagin between 1867 and 1868
- The Penitent Saint Jerome Alessandro Allori 1606
- Pietro Rossi Francesco Hayez
- Gustav Vasa finds his consort Katarina Stenbock asleep and hears her say; ‘I am very fond of King Gösta, but I will never forget Rosen’ Hugo Salmson 1868
- Illustrations to Shakespeare Pl.035 John Massey Wright 19th century