尼亚加拉瀑布远景

1830

1830年，托马斯·科尔捕捉到了尼亚加拉大瀑布原始而未被驯服的力量，那是在旅游景点和水力发电厂挤满河岸之前很久的事。作为哈德逊河画派的创始人，他在这里运用了一种经典的浪漫主义手法：戏剧性的分割天空，左侧乌云翻滚、风暴迫近，右侧金色阳光穿透云层，象征着大自然崇高的二元性。在前景中，两个微小的美洲原住民形象站在岩石边缘，突显出与人类相比，瀑布是何等巨大且令人敬畏。

Views: 11

Related Artworks

The Titan’s Goblet Thomas Cole 1833
Castle of Spiez, Lake Thun Thomas Cole 1841
The Colosseum Thomas Cole 1832
Studies of Animal Heads Thomas Cole between 1835 and 1840
The Pic-Nic Thomas Cole
A View of the Mountain Pass Called the Notch of the White Mountains (Crawford Notch) Thomas Cole 1839
New England Scenery Thomas Cole 1839
View of Schroon Mountain, Essex County, New York, After a Storm Thomas Cole 1838
A View of the Two Lakes and Mountain House, Catskill Mountains, Morning Thomas Cole
The Vesper Hymn Thomas Cole ca. 1838
Catskill Scenery Thomas Cole c.1833
Tree Trunks Thomas Cole 1825-1840
The Magpie Claude Monet 1868 - 1869
Beach Scene William James Glackens circa 1914
Kanbara Utagawa Hiroshige 1855
Nihonbashi; Clearing Weather after Snow (Nihonbashi Yukibare) Utagawa Hiroshige 1856
A Marriage Procession in Sixteenth Century Dress; a Cavalier; and a Trophy of Arms Eugène Delacroix 1798-1863
The building of the Tower of Babel Julius Schnorr Von Carolsfeld 1856
White Poodle in a Punt George Stubbs c. 1780
Dîné des moissonneurs Franz Niklaus König 1825
Imatra Falls in Snow ; Imatra in Winter Akseli Gallen-Kallela 1893
Song of the Waters Jerome Thompson ca. 1870
Autumn Landscape Louis Michel Eilshemius ca. 1886-1887
Le Torrent. Environs De Clermont-Ferrand Félix Ziem 1870-1880
The Jung Frau, Switzerland Régis François Gignoux
The Assumption of the Virgin Giulio Cesare Procaccini
At the Waterfall David Claypoole Johnston ca. 1850