Le type qui ferme beaucoup de bons établissements
1871
Le type qui ferme beaucoup de bons établissements by Thomas Nast, 1871, Illustration, realism
Related Artworks
- A local question. Who is TARIFF and why is HE for revenue only Thomas Nast 1893
- Santa Claus’s mail Thomas Nast 1871
- Out, damned spot! Out, I say!. Thomas Nast 1872
- Our modern Falstaff reviewing his army Thomas Nast 1870
- The necessity of the period — ‘to make both ends meet’ Thomas Nast 1869
- Peace on earth and good will towards men Thomas Nast 1869
- The new board of education Thomas Nast 1871
- It is only a truce to regain power (‘playing possum’). Thomas Nast 1872
- The joint high commission. Reconciliation of John and Jonathan. Felicitations over the great Anglo-Saxon Victory Thomas Nast 1871
- Remember our dead heroes Thomas Nast
- Free trade every day to compete with our labor and not all Britishers by any means Thomas Nast
- The ‘brains’ Thomas Nast 1871
- The emancipator of labor and the honest working-people Thomas Nast 1874
- Justice brings peace Thomas Nast 1877
- The flower of the flock leaving the fold Thomas Nast 1869
- What are you laughing at; To the victor belong the spoils Thomas Nast 1871
- Cut behind! (All the world’s a stage) Thomas Nast 1874
- John W. Griggs to Alexander T. McGill; We must down all screens that shelter the same old gang Thomas Nast 1895
- Rowboat heading towards U.S. Capitol Building Thomas Nast
- Time works wonders Thomas Nast 1870
- A tariff to protect those mills operations would put the duty upon the Canadians not on the cotton cloth Thomas Nast
- Notice. No more blowers (bellows) wanted for storms@Illustration Thomas Nast
- Church and state — no union upon any terms Thomas Nast 1871
- Another inflated power burst Thomas Nast 1873
- Jean Baptiste Isabey Eugène Giraud 1767-1855
- Portret van Hendrick Peter Godfried Quack Ferdinand Hart Nibbrig
- L’harmonie des couleurs Pl.039 Édouard Guichard 1880
- Venus and Mars Surprised by Vulcan Hendrick Goltzius 1585
- Couple à la campagne Fernand Louis Gottlob
- Design for Ceiling of the Duchess of Newcastle’s Petit Salon, Hôtel Hope Jules-Edmond-Charles Lachaise 1867
- Art industriel; choix de vases du règne de Thoutmès III (Thèbes — XVIIIe. dynastie) Émile Prisse d'Avennes 1878
- Journal des Dames et des Modes – Robe de promenade en Sarah à damiers et taffetas peint à la main George Barbier 1912
- Public Servant José Guadalupe Posada
- The song of Los. Lambeth Pl.8 William Blake 1795
- Fee-fi-fo-fum, I smell the blood of an Englishman Arthur Rackham 1927
- The fatted calf a prey to wild beasts Thomas Rowlandson 1803
- Maternité devant la mer Maurice Denis 1900
- Le petit Savoyard Gottfried Mind
- Scènes diverses, tirées des Séances de Hariry (XIIIe. siècle) Émile Prisse d'Avennes 1877
- Is a caddy always necessary Charles Dana Gibson 1893-1900
- Swimming Thomas Eakins 1885
- Sunlight on the Coast Winslow Homer
- The Cotton Pickers Winslow Homer 1876
- Willow grous or large ptarmigan John James Audubon 1827-1838
- Seated Shepherdess Jean-François Millet c. 1852
- Two Rams In A Landscape Rosa Bonheur
- The Return, Tynemouth Winslow Homer 1881
- Edward Burd Grubb, Jr. Thomas Eakins ca. 1898
- La jalousie Théophile Alexandre Steinlen 1901
- L’Empereur d’Autriche Auguste Louis Lepère 1914
- Gaulois à cheval Fernand Cormon 1897
- Englændernes Sidste Dåd I København Christoffer Wilhelm Eckersberg 1807
- The Funeral of the Duke of Wellington Sir John Everett Millais 1852
- The ‘British Chancellor’ in dry dock, Falmouth, Oct. 1940 Harry Morley 1940-1943
- Twee vrouwen en een spartelend kind Johannes Josephus Aarts
- Amoris divini emblemata Pl.26 Otto van Veen 1660
- The Animals Sick of the Plague Percy J. Billinghurst 1900
- Germania before the Judges Jean-Louis Forain c. 1914-1919
- Le retour du permissionnaire. -Tu Tombes a pie! Jean-Louis Forain c. 1914-1919
- Fredericksburg, night of the 11th Alfred Rudolph Waud 1862
- Jesus is condemned to death Joseph Hussenot 1876
- The Artist´s Father Julius Paulsen 1890