Das Einzige, was es wert ist, gerettet zu werden', 'es
Das Einzige, was es wert ist, gerettet zu werden', 'es by Thomas Nast, Illustration, realism
Related Artworks
- To the Victors Belong the Spoils Thomas Nast 1889
- Never Did Care For Christian Enlightenment Thomas Nast 1896
- Worse than slavery Thomas Nast 1874
- A warning to the United States Senate Thomas Nast 1873
- The indifference of Uncle Sam Thomas Nast 1876
- The political lottery Thomas Nast 1876
- Tam O’ Shanter Thomas Nast 1883
- Another fall, my countrymen! Next!. Thomas Nast 1872
- Southern exiles on their way North Thomas Nast 1863
- Dance to your daddy Thomas Nast 1878
- Amphitheatrum Johnsonian — Massacre of the innocents at New Orleans, July 30, 1866 Thomas Nast 1867
- Our new state of Prussia Thomas Nast 1889
- C’est la belle France — Das ist des Deutschen Vaterland Thomas Nast 1871
- The Luther of the nineteenth century Thomas Nast 1871
- Amnesty, or the end of the peaceful (Democratic) tiger Thomas Nast 1876
- Father carrying daughter on his shoulders Thomas Nast
- Paper politics. ‘Cleveland & collapse’ Thomas Nast 1892
- The two Gladstones Thomas Nast
- William Cullen Bryant Thomas Nast 1866
- Historic examples of Southern chivalry Thomas Nast 1863
- ‘News’ in Washington Thomas Nast 1875
- Notice — no cartoon this week. The news from Washington was too much for our artist Thomas Nast 1874
- Star route Thomas Nast 1881
- What the German Democrats have done about it. Thomas Nast 1871
- Ôgiya uchi Yashio, Someki, Tsumaki – Yashio of the Ôgiya, Someki, Tsumaki Kitagawa Utamaro 1793-1804
- Sankatsu Hanshichi no bosetsu – The maternal love of Sankatsu and Hanshichi Kitagawa Utamaro 1793-1804
- Milton, a poem in 2 books Pl.26 William Blake 19th century
- Milton, a poem in 2 books Pl.10 William Blake 19th century
- Kami-yui – Dressing the hair Kitagawa Utamaro 1793-1804
- Lion Devouring a Horse Eugène Delacroix 1844
- The Four Stages of Cruelty; Cruelty in Perfection (The Murderer) William Hogarth 1751
- Hasta la muerte. (Until death.) Francisco de Goya 1796-1797
- Mishima Pass in Kōshū Province Katsushika Hokusai 1817
- Enoshima Island (Figure on an ox, waves) Utagawa Hiroshige 19th century
- The Calligraphy Lesson Kitagawa Utamaro circa 1803
- Miren que grabes! (Look how solemn they are!) Francisco de Goya 1796-1797
- Hamlet and Polonius (Act II, scene ii) Eugène Delacroix 1864
- The First Stage of Cruelty; First, Children Torturing Animals William Hogarth 1751
- Characters and Caricatures; subscription ticket for ‘Marriage à la Mode’ William Hogarth 1743
- Das Mädchen am Fenster Edvard Munch 1912
- Swimming Thomas Eakins 1885
- Sadko Ilya Efimovich Repin 1876
- The Sower Jean-François Millet 1850
- Saco Bay Winslow Homer 1896
- The Iron Rolling Mill (Modern Cyclopes) Adolph von Menzel 1875
- Portrait Of Dr. Samuel D. Gross (The Gross Clinic)@Figurative Thomas Eakins
- Two-masted Schooner with Dory Winslow Homer 1894
- The Thinker; Portrait of Louis N. Kenton Thomas Eakins 1900
- Blundering again! Bernhard Gillam 1883
- The only thing worth saving Thomas Nast
- David Garrick as Richard III William Hogarth
- Lion Devouring A Gazelle Antoine-Louis Barye
- Trumpeter of the Hussars Théodore Géricault c. 1815-20
- The Ungrateful Son Jean-Baptiste Greuze c. 1770
- A Sudden Police Raid on Unlicensed Prostitutes Tsukioka Yoshitoshi 1875
- Portrait Of Sir John Mennes Anthony van Dyck 1599-1671
- View of a rough sea near a cliff Gustave Courbet after 1873
- Wolf-fish, Anarhichas Lupus Edward Donovan 1803
- Danse aux Sabres Jean-Léon Gérôme
- Greift er ihm ans Kinn mit wildem Hassen Jean-Baptiste Greuze ca 1773
- Crouching Woman Fernand Cormon
- Blackcocks At The Lek Archibald Thorburn 1901