A entrada para os claustros do Magdalen College – Oxford

Related Artworks

• The Drawing Lesson Thomas Rowlandson 1780-1827
• The Hunt Dinner Thomas Rowlandson 1787
• A Sporting Cove Thomas Rowlandson
• A Soldier’s Widow Thomas Rowlandson 1815-1820
• A Stop at the Inn Thomas Rowlandson 1794
• Figures outside a coaching inn Thomas Rowlandson
• A Young English Beauty Thomas Rowlandson c. 1790
• Covent Garden Theatre Thomas Rowlandson 1808
• Paris Dilligence Thomas Rowlandson
• A visit to the aunt Thomas Rowlandson 1794
• The Long Room, Custom House Thomas Rowlandson 1808
• No.2; Buy my Goose, my fat Goose Thomas Rowlandson 1799
• Cattle Thomas Rowlandson
• Connoisseurs Thomas Rowlandson 1809
• Miseries of wedlock; The tables turned Thomas Rowlandson
• Old Maids at a Sale of Curiosities Thomas Rowlandson c. 1776-1827
• Ships and Sailors Thomas Rowlandson late 18th-early 19th century
• Nap dreading his doleful doom or his grand entry in the Isle of Elba Thomas Rowlandson 1814
• New Stock Exchange Thomas Rowlandson 1809
• No.5; Come Buy My Watercresses Thomas Rowlandson 1799
• Romeo and Juliet Thomas Rowlandson ca. 1780-1825
• The oyster woman Thomas Rowlandson ca. 1780-1825
• The village fair Thomas Rowlandson ca. 1780-1825
• Bound Nymph Thomas Rowlandson
• Si sabrá mas el discipulo (Might not the pupil know more) Francisco de Goya 1796-1797
• Kami-yui – Hairdresser Kitagawa Utamaro 1793-1804
• Cours de dessin Pl.63 Charles Bargue 1867
• All this while I sat upon the ground, very much terrified and dejected N. C. Wyeth 1920
• John Bull (England) as Adam and a woman representing America as Eve in the Garden of Eden William Henry Walker 1903
• Bijutsukai Pl.29 Furuya Kōrin 1901
• Unique Specimens of Mineralogy Edward Francis Burney
• Marthe Brandès, actrice Georges Goursat (Sem) 1901
• El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) Francisco de Goya 1796-1797
• De aanzegger Albert Hahn 1904 - 1953
• The method of drawing the net of lattice-work on vaults. Andrea Pozzo 1707
• The plan and elevation of a corbel in perspective. Andrea Pozzo 1707
• The Ingoldsby legends. The dead drummer Arthur Rackham 1906-1921
• N° 3 – Tout à coup il se vit pousser d’horribles ailes Emile Bernard 1935
• Dernière Nouveauté Félix Vallotton 1893
• Village massacre George Wesley Bellows 1918
• The Great Blue Spring of the Lower Geyser Basin, Yellowstone Thomas Moran ca. 1875
• On the way to Pompeii, with Vesuvius beyond Franz Richard Unterberger
• Los desastres de la guerra Francisco de Goya 1892
• Portrait of a Mulatto Frank Buchser 1866[-]1871
• Nez Perces John Mix Stanley 1854
• Picnic in the Woods, Montclair, New Jersey George Inness 1894
• Peasant kitchen in ruins (Italian kitchen) Hubert Robert 1760-1765
• Small child with spoon Fritz Bamberger
• King Henry IV, Pt. 1, II, 4, Falstaff, Bardolph and Hostess Joseph Nash
• Herr Knopp verschüttet seinen Kaffee Wilhelm Busch 1876
• A Hunting Accident Sir Edwin Henry Landseer 1836
• Crâne donc pas, la royauté, c’est comme ton linge, d’main ca s’ra passé au bleu Fernand Louis Gottlob
• Campaign Sketches; Foraging Winslow Homer 1863
• Die gestörte, aber glücklich wieder errungene Nachtruhe (Der Floh); 13 Wilhelm Busch 1862
• In order to preserve his figure, Mr. Tagg becomes a patron of the manly art Charles Dana Gibson 1900-1905
• Mrs Knopp cleaning the house Wilhelm Busch 1876
• John Gilpin in the Uxbridge Passage Boat Edward Francis Burney 1820s
• Lady Running in a Field Claude Hoin
• Symptoms： of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome Henry Thomas Alken between 1818 and 1822
• Tengu Messengers Colliding in Midair Tsukioka Yoshitoshi 1882
• Ça ne te regarde pas, de quoi te mèles-tu Paul Gavarni 1840
• T’es bête va Pour une queue, une méchante queue qu’on vous fait Paul Gavarni 1839-1841