中村志堅之狐葛葉

Utagawa Toyokuni I

1825

中村志堅之狐葛葉 by 歌川丰国一世, 1825, ukiyo_e

Related Artworks

Snow Print; Woman with Umbrella Utagawa Toyokuni I late 18th century - early 19th century
Bandō, Mitsugorō no Ukiyo Tōei Utagawa Toyokuni I 1804
Untitled Utagawa Toyokuni I 1810
Ukie kinryūzan ichi no zu Utagawa Toyokuni I 1791
Iwai Hanshirō Utagawa Toyokuni I 1804
Stage Scene; Four Actors Utagawa Toyokuni I late 18th century - early 19th century
Woman in Elaborate Flowered Kimono, Reading Letter Utagawa Toyokuni I late 18th century - early 19th century
Iwai hanshirō no ōiso no onna umakata tragauishi no ofumi Utagawa Toyokuni I 1818
Courtesans and Attendants Utagawa Toyokuni I ca. 1790-1795
Singing Lesson Utagawa Toyokuni I late 18th century - early 19th century
Tachibanaya ōmiya Utagawa Toyokuni I 1794
Women on Wharf Watching Fish Utagawa Toyokuni I late 18th century - early 19th century
Yoru no fukagawa geisha Utagawa Toyokuni I 1828
Onoe baikō Utagawa Toyokuni I 1825
Evening; Woman in Blue Kimono on Roof Utagawa Toyokuni I late 18th century - early 19th century
Woman in Gray Robe, Hair Down Utagawa Toyokuni I late 18th century - early 19th century
Bandō Hikosaburō Utagawa Toyokuni I 1794
Interior of Daimyo Palace Utagawa Toyokuni I late 18th century - early 19th century
An Actor Nakamura Danjuro as a Samurai with Sword Utagawa Toyokuni I late 18th century - early 19th century
Woman Holding Bowl and Tray before Window (cherry trees blooming outside) Utagawa Toyokuni I late 18th century - early 19th century
Actor (part of costume a design of birds on black) Utagawa Toyokuni I late 18th century - early 19th century
Woman in kimono of blue shaded as a background for elaborate embroidery of pink peonies Utagawa Toyokuni I late 18th century - early 19th century
Arashi hinasuke no minamoto no raikō to iwai kumesaburō no yosoihime Utagawa Toyokuni I 1799
Actor with pole and sword Utagawa Toyokuni I late 18th century - early 19th century
Kazuenokami Katō Kiyomasa Observing a Monkey with a Writing Brush Tsukioka Yoshitoshi 1883
Kami-yui – Hairdresser Kitagawa Utamaro 1793-1804
Actors in the Roles of Toriyama Shūsaku and Uba Akishino Utagawa Kunisada (Toyokuni III) 1853
Sawamura Kunitarô in the role of Wataki Kikukawa Eizan 19th century
Snow; The Actor Onoe Baikō V as Iwakura no Sōgen Tsukioka Yoshitoshi ca 1890
Banquet inside the Korean Royal Palace Watanabe Nobukazu 1894
Lighthouse at the Entrance to Port Arthur Watanabe Nobukazu 1894
Keinen shūgajō Pl.83 Imao Keinen 1906
Kawaguchi 2 Takahashi Hiroaki
Otome Pass Takahashi Hiroaki
Numazu Utagawa Hiroshige ca. 1841-1842
The Snowy Garden Utagawa Kunisada (Toyokuni III) 1854
The Saga Incident Tsukioka Yoshitoshi 1876
Nissaka Utagawa Hiroshige ca. 1841-1842
Wandering Women Kitagawa Utamaro circa 1790
Lovers under a Futon; Opening Image to an Erotic Set Kitagawa Utamaro circa 1800
Keinen kachō gafu Pl.071 Imao Keinen 1891
Ten physiognomic types of women, Coquettish type Kitagawa Utamaro
Ōtomo no Kanemura Fighting the Usurper Ōtodo Matori Tsukioka Yoshitoshi 1880
New Year’s Morning Torii Kiyonaga late 18th century - early 19th century
Amateur Prostitutes Fighting over a Client Tsukioka Yoshitoshi 1875
Tokaido gojusantsugi, Pl.08 Utagawa Hiroshige 1868-1912
Tokaido gojusantsugi, Pl.09 Utagawa Hiroshige 1868-1912
Yoshida Utagawa Hiroshige 1855
The Actor Sawamura Tanosuke III for a Fire Troupe Tsukioka Yoshitoshi 1865
Eight Figural Views (Sugata Hakkei) Pl.5 Utagawa Kunisada (Toyokuni III) 1850
The Actor Iwai Hanshiro IV as the Wet Nurse Shigenoi from the play The Loved Wife’s Parti-Colored Halter Tōshūsai Sharaku 1794
Two Actors Isoda Koryūsai ca. 1760-1780
Actor Nakamura Shikaku Ii As Lady Shizuka At Horikawa Palace Natori Shunsen 1926
Fuwa Banzaemon in a Tanzen Costume Tsukioka Yoshitoshi 1882
Yakusha ezukushi Pl.12 Okumura Masanobu 1705-1710
Ichi Utagawa Kuniyoshi 1843
Gateway, Rotterdam Frederick G. Hall 1929
Landscape with Spring Clouds Ferdinand Katona 1910[-]1930
Pompiers courant à un incendie Gustave Courbet 1850-1851
Zank Gottfried Mind 1815
Dr. Koller Egon Schiele c. 1918
He bounced up and down, and so fearful a frown contracted his brow, you’d have thought he’d been blind. Arthur Rackham 1911