樹根
Van Gogh captured this chaotic tangle of blue tree trunks and gnarled roots on the very morning he shot himself in July 1890, a quintessential Post-Impressionist work reflecting his turbulent state of mind. The Van Gogh Museum recently identified this as his final painting, likely left unfinished in the field near his home in Auvers-sur-Oise. The twisted forms seem to claw at the earth, while vibrant blues and greens clash against the brown soil to create a sense of raw, untamed energy. It serves as a haunting, unfinished farewell from a master who poured his soul into every thick brushstroke.
- Technique
- Oil on canvas
Location: Van Gogh Museum, Amsterdam
Views: 1