Bernhard von Neher the younger
Master of religious murals and stained glass
Karl Josef Bernhard von Neher was a German painter. Neher began to study painting in 1822 in Stuttgart, under Johann Heinrich von Dannecker und Philipp Friedrich von Hetsch, but received his primary instruction at the Academy of Fine Arts Munich with Peter von Cornelius. This was followed by four years in Rome, where he cultivated contacts with the Nazarene movement, led by Friedrich Overbeck und Philipp Veit. In 1832, he returned to Munich, where he painted the huge fresco that adorns the arch of the Isartor, depicting the triumphal entry of Emperor Louis after his victory at the Battle of Mühldorf. In 1836 he was summoned to Weimar, to decorate two rooms of the Grand Ducal Palace with murals. He worked there, off and on, for eleven years. In 1841, he became Director of the Academy of Visual Arts in Leipzig. He was later induced to return to Stuttgart, where he became a Professor at the Royal Art School. He was promoted to Director in 1854, but continued to produce many large oil paintings, mostly on religious subjects. Arguably, however, his best work involved a series of large glass paintings for stained-glass windows; six for the Stiftskirche, three for the chapel in the Old Castle and one each for the Leonhardskirche, the Greek Chapel in the New Castle and the Johanneskirche. In 1852, he was awarded the Knight's Cross, First Class of the Order of the Crown (Württemberg), which conferred a title of nobility. In 1878, The Staatsgalerie Stuttgart acquired the frames and designs for his windows. He resigned his position as Director in 1879.
Relationship Network
Master student
- Johann Heinrich von Dannecker Master
- Philipp Friedrich von Hetsch Master
- Peter von Cornelius Master
- Albert Kappis Student
- Anton Braith Student
- Bertha Wegmann Student
- Christian Maximilian Baer Student
- Heinrich Von Zügel Student
- Jakob Grünenwald Student
- Paul Wilhelm Keller-Reutlingen Student
Fellow student
Friend
Artworks by this artist
- ‘Halb zog sie ihn, halb sank er hin’ – Der Fischer und die Nixe
- Szene aus Goethes Iphigenie auf Tauris 2
- Kopf eines Mädchens, im Profil nach rechts geneigt
- Engel mit Spruchband nach rechts, in einem Zwickel
- Männlicher Studienkopf im Umriss
- Männlicher Studienkopf, liegend
- Männlicher Studienkopf, dreiviertel Profil nach links
- Study of garments
- Mythological scene
- Der neue Pausias und sein Blumenmädchen
- The Angels With Abraham 1830-1832
- Der einsame Werther in der Natur
- Prometheus und Athena erschaffen den Menschen
- Engel mit Spruchband nach links, in einem Zwickel
- Knabenkopf im Profil nach links
- Weibliche Genien halten ein Medaillon mit dem Bildnis Goethes
- Mythological scene.
- Arabesken zum Goethezimmer
- Kopfstudie eines bärtigen Mannes, Umrisslinie des Knabenkopfes der Vorderseite des Blattes im Profil nach links
- Szene aus Goethes Iphigenie auf Tauris