Canaletto
Master of precise Venetian cityscapes
Giovanni Antonio Canal, commonly known as Canaletto, was an Italian painter from the Republic of Venice, considered important member of the 18th-century Venetian school. Painter of city views or vedute, of Venice, Rome, and London, he also painted imaginary views (referred to as capricci), although the demarcation in his works between the real and the imaginary is never quite clearcut. He was further an important printmaker using the etching technique. In the period from 1746 to 1756 he worked in England where he painted many views of London and other sites including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto’s works was sold to King George III in 1762.
Relationship Network
Master student
- Luca Carlevarijs Master
Influenced by
Artworks by this artist
- London, A View Of The Old Horse Guards And Banqueting Hall, Whitehall Seen From St. James’ Park
- La Libreria V. (The Library, Venice) 1740-45
- The Piazza San Marco in Venice 1723-1724
- The Porta Portello,Padua c. 1741-1742
- A Venetian Capriccio with an oval church by the Lagoon
- Venice, the Grand Canal looking East with Santa Maria della Salute
- Le Preson. V 1740-45
- Old Walton Bridge 1755
- Venice, A View Of The Churches Of The Redentore And San Giacomo, With A Moored Man-Of-War, Gondolas And Barges
- Vienna Viewed from the Belvedere Palace
- The Canal Lock at Dolo 1735-1746
- View of Dolo, A Town on the Brenta, West of Venice 1735-1746
- Venice, the Grand Canal from the Palazzo Dolfin-Manin to the Rialto Bridge c. 1740 - 1750
- Imaginary View of Padua 1735-1746
- Prà della Valle, Padua 1735-1746
- The Molo, with the Piazzetta and the Doge’s Palace, from the Bacino
- The Campo S. Basso; The North Side with the Church 1740
- Seen from the Bacino di San Marco in Venice 1730 - 1740
- Views of Mestre, a Town in the Province of Venice 1735-1746
- View of Northumberland House and Charing Cross c. 1752