Charles-André van Loo
Refined French historical painter
Carle or Charles-André van Loo was a French subject painter, son of the painter Louis-Abraham van Loo, a younger brother of Jean-Baptiste van Loo and grandson of Jacob van Loo. He was the most famous member of a successful dynasty of painters of Dutch origin. His oeuvre includes every category: religion, history painting, mythology, portraiture, allegory, and genre scenes. He was born in Nice, then part of the Duchy of Savoy. Van Loo followed his brother Jean-Baptiste to Turin, and then to Rome in 1712, where he studied under Benedetto Luti and the sculptor Pierre Le Gros. After leaving Italy in 1723, he worked in Paris, studied at the Académie Royale, where he gained first prize for drawing in 1723, and received the first prize for historical painting in 1727—as did his future rival François Boucher. In 1724 he won the Prix de Rome. By his simplicity of style and correctness of design, the result of his study of the great Italian masters, he did much to purify the modern French school; but the praise that was later lavished upon his productions now appears undue and excessive. His patrons included members of the court, the Gobelins factory, private individuals, and the church. In the ensuing centuries, Van Loo's critical fortune has plummeted, although his ability remains admirable, and the quality and variety of his work command respect. His Marriage of the Virgin is preserved in the Louvre.
Relationship Network
Master student
- Benedetto Luti Master
- Pierre Le Gros Student
- François-Hubert Drouais Student
- Gabriel-François Doyen Student
- Jacques-André-Joseph Aved Master
- Jean-Baptiste Deshays Student
- Jean-Honoré Fragonard Student
- Johann Heinrich Tischbein the elder Student
- Josef Melling Student
- Louis-Jean-François Lagrenée Student
- Luis Meléndez Student
- Michel-Barthélémy Ollivier Student
Fellow student
Parent child
- Jacob van Loo Parent
Siblings
- Jean-Baptiste van Loo Elder
Artworks by this artist
- Kopf eines bärtigen alten Mannes ca 1750-1759
- The Last Communion of Saint Jerome, after Agostino Carracci
- Portrait Of A Lady
- Rinaldo and Armida 1730s
- La Conversation espagnole 1754
- The Sacrifice of Iphigenia ca. 1755
- Aeneas Rescuing his Father from the Fire at Troy
- Le Voeu de Louis XIII au siège de la Rochelle (1628) 1737-1747
- Life Drawing mid-18th century
- Belisarius Begging At The Gates Of Rome
- Tête de femme de trois quarts à droite circa 1763-1764
- Young Girl Facing to the Right
- Christ on the Cross
- The Mass of St. Gregory 18th century
- A Seated Male Nude
- The Agony in the Garden 1760
- Bust of a Young Girl, Profile to Left 18th century
- Apollo Seated Holding A Lyre In Front Of An Athenienne And A Snake
- River God
- The Clergy of Rome Paying Homage to St. Gregory after His Investiture 18th century