Charles Meryon
Master of Gothic Paris etchings
Charles Meryon was a French artist who worked almost entirely in etching, as he suffered from colour blindness. Although now little-known in the English-speaking world, he is generally recognised as the most significant etcher of 19th century France. His most famous works are a series of views powerfully conveying his distinctive Gothic vision of Paris. He also suffered from mental illness, dying in an asylum. Meryon's mother was a dancer at the Paris Opera, who moved to London around 1814 to dance there. In 1818 she had a daughter by Viscount Lowther, the future William Lowther, 2nd Earl of Lonsdale, a wealthy aristocrat and politician, and 1821 Charles Meryon by Dr Charles Lewis Meryon, an English doctor, returning to Paris for the birth, and remaining there for the rest of her life. The household in Paris was supported financially by both fathers, but more so by Lowther, whose indirect funding remained important throughout Meryon's life; he made very little money from his art. Starting at the age of 16, Meryon spent ten years as a naval cadet and finally officer, which included tours of the Mediterranean, and a four year voyage around the world, for most of it based in New Zealand, where the French then maintained an imperial toe-hold. On his return he fought and was wounded in a pro-government militia during political disturbances in 1848. He had become seriously interested in art during his naval career, starting to take lessons. He gradually and reluctantly realized that his colour-blindness ruled out painting, and by 1848 settled on etching, then out of favour as a medium for fine art, though about to undergo a considerable revival. His best period lasted between 1850 and about 1856, before his increasing mental illness reduced his output. He spent fourteen months in an asylum in 1858 and 1859, then continued to work until 1866, when he re-entered the asylum for the final time.
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Artworks by this artist
- The Gallery of Notre-Dame, Paris 1853
- It Rocks but is Not Sunk 1854
- Chevet de St. Martin-sur-Renelle (The apse of the Church of St. Martin-sur-Renelle, Paris, after Langlois) 1860
- The Little French Colony at Akaroa, 1845 1865
- Seine Boat for ‘Le Pont-au-Change’ probably c. 1854
- The Church of St. Etienne-du-Mont, Paris 1852
- A Raven Perched on a Rail
- Benjamin Fillon 1862
- A Raven Perched on a Rail mid-19th century
- Entrance to the Faubourg Saint-Marceau, Paris 1850
- The Clock Tower ca. 1852
- Etchings of Paris; Title page to the suite 1852
- Seated Male Figure for ‘San Francisco’ probably c. 1856
- A Golden Eagle after 1859
- The Breton archaeologist Louis Jacques Marie Bizeul 1861
- The historian John Besly, after Jaspar Isaac 1861
- Gallery, Nôtre-Dame Cathedral, Paris 1853
- Swift-Sailing Proa, Mulgrave Archipelago, Oceania 1866
- Rue des Toiles, Bourges 1853
- Le Grand Châtelet 1861