Reinier Nooms
Precise Dutch maritime paintings and etchings
Reinier Nooms, also known as Zeeman (Dutch for "sailor"), was a Dutch maritime painter known for his highly detailed paintings and etchings of ships. Nooms was probably born and died in Amsterdam. He started painting and drawing in his later years, following a rough, drunken life as a sailor. It is not known how he acquired his skill as an artist. His knowledge of ships is evident from his work: ships and foreign locations are depicted with high accuracy and in great detail, and served as an example to other artists of how to depict ships. A widely traveled artist, Nooms visited Paris, Venice and possibly Berlin, and also journeyed along the coast of North Africa. A favourite subject of his paintings were the Dutch victories in the Anglo-Dutch Wars. For instance, he painted the Amalia, the flagship of admiral Maarten Tromp, before the Battle of the Downs in 1639. This painting now hangs in the National Maritime Museum in Greenwich, UK. His painting of the Battle of Leghorn in 1653 is in the collection of the Rijksmuseum in Amsterdam. In the 1650s, Nooms made a series of etchings of ships and topographical views characterized by a high degree of detail and precision. These etchings served as an example to many artists. The 19th century French etcher Charles Meryon was highly influenced by Nooms, whose etchings of Paris cityscapes inspired him to his own series of Paris etchings. Meryon dedicated some of these works to Nooms in poetic form. One of Nooms' final works, from 1664, shows a view of the Amsterdam harbour, with the IJ bay and the naval depot's Lands Zeemagazijn, now the home of the Nederlands Scheepvaartmuseum (Netherlands Maritime Museum). Appropriately, this work now hangs in the Netherlands Maritime Museum.
Relationship Network
Influenced
- Charles Meryon Influenced
Artworks by this artist
- Coast Scene mid[-]17th century
- View of Tunis 1662 - 1668
- The Battle of Livorno 1653 - 1664
- The Caulking of Ships at the Bothuisje on Het IJ in Amsterdam 1650 - 1668
- View of Tripoli 1662 - 1668
- Naval Battle mid-17th century
- Le Louvre et l’Hôtel de Bourbon, vus de la rive gauche 1650
- View of Salee, Morocco 1662 - 1668
- Ships entering a harbour
- Seascape
- The Ship-yard in Amsterdam
- Night Ferries to The Hague, Delft and Leiden ca. 1652[-]54
- View of Algiers 1662 - 1668