Ferdinand Misti-Mifliez
Elegant, bold fin-de-siecle poster art
Misti is the pseudonym of Ferdinand Mifliez, who worked in the Chaix (Cheret's) printing plant before opening his own studio and creating many more posters, largely for bicycle and automobile firms, from 1894 to 1914. Misti was an accomplished painter who exhibited regularly in Paris salons, he was most proud of his poster designs. Throughout the 1890s his posters all bear the imprint "Affiches Misti." Some of his largest clients were department stores, bicycle companies and , after 1900, Les Fetes de Neuilly. His elegant and efficient style, which features beautiful stylish women as often as possible, is a standard of the fin-de-siecle renditioning. In his art, Misti is often compared to both Cheret, for the lightness and grace of his touch, and to Cappiello, for his use of bold strokes and outlines. Among the great artists of his day, Misti was perhaps most famous for his direct and explicit style. Misti, after his hectic two decades in the early part of the century, eventually went on to open his own printing plant. In the two decades 1894-1914, Misti designed over 100 posters for a multitude of clients, including bicycles, department stores and publishing houses.
Artworks by this artist
- Olympia 1897
- Collection Pygmalion
- Olympia3
- Moulin rouge
- Palais de Glace Champs-Elysees 1897
- Velodrome De L’est
- Folies-Bergère 1893
- La soirée
- La Critique 1900
- Cycles Griffon 1900
- Elections Legislatives De 1898- Viie Arrt De Paris Georges Bans Directr. De La Critique 1898
- La Scala 1897
- Olympia
- Fête des fleurs du bois de Boulogne 1896
- Tous les soirs 1898
- Cycles Gladiator
- Music hall, Every Evening 1897
- Velodrome D’hiver Palais Des Arts Liberaux 1895
- 2me Année la CriTiQue 1896 1896
- Trianon Concert 1897