James Abbott McNeill Whistler
Pioneered art for art's sake
James Abbott McNeill Whistler was an American artist active during the American Gilded Age and based primarily in the United Kingdom. He was averse to sentimentality and moral allusion in painting, and a leading proponent of the credo "art for art’s sake". His signature for his paintings took the shape of a stylized butterfly possessing a long stinger for a tail. The symbol combined both aspects of his personality: his art is marked by a subtle delicacy, while his public persona was combative. He found a parallel between painting and music and entitled many of his paintings "arrangements", "harmonies", and "nocturnes", emphasizing the primacy of tonal harmony. His most famous painting Arrangement in Grey and Black No. 1 (1871), commonly known as Whistler’s Mother, is a revered and often parodied portrait of motherhood. Whistler influenced the art world and the broader culture of his time with his theories and his friendships with leading artists and writers.
Relationship Network
Master student
- Charles Gleyre Master
- Ernest Haskell Student
- Florence Lundborg Student
- Frederick Carl Frieseke Student
- Robert Walter Weir Master
- Walter Greaves Student
- Walter Richard Sickert Student
Fellow student
Influenced
- Alice Schille
- Bernard Boutet de Monvel
- Bertha Jaques
- Gustave Leheutre
- Henri Evenepoel
- Irving Ramsay Wiles
- James Pryde
- John Quincy Adams
- Józef Pankiewicz
- Maurice Prendergast
- Maurice Prendergast
- Norman Garstin
- Olof Sager-Nelson
- Paul Fordyce Maitland
- Philip Wilson Steer
- Robert Charles Goff
- Willem Witsen
Artworks by this artist
- Nocturne ca. 1878
- Arrangement in Black; Portrait of F. R. Leyland 1870-1873
- Wapping 1860-1864
- Walter Sickert (1895) 2
- Nocturne 1879-80
- San Biagio 1879
- The Suede Gloves (Les Gants de Suéde) 1890
- Beach Scene probably 1885
- Arrangement in Black; Girl Reading ca. 1880-90
- Man at Table beneath Mosquito Net (from Sketchbook) 1854-55
- Nocturne 1879-1880
- The Clockmakers, Paimpol 1893
- Blue and Coral; The Little Blue Bonnet 1898
- The Fair 1895-1896
- Study 1871
- The Gaiety Stage Door 1879
- Nocturne: Blue and Silver–Bognor 1871-1876
- The Little Venice 1879-1880
- Japanese Woman Painting a Fan c. 1872
- Lady Haden 1895