James Abbott McNeill Whistler
Pioneered art for art's sake
James Abbott McNeill Whistler was an American artist active during the American Gilded Age and based primarily in the United Kingdom. He was averse to sentimentality and moral allusion in painting, and a leading proponent of the credo "art for art’s sake". His signature for his paintings took the shape of a stylized butterfly possessing a long stinger for a tail. The symbol combined both aspects of his personality: his art is marked by a subtle delicacy, while his public persona was combative. He found a parallel between painting and music and entitled many of his paintings "arrangements", "harmonies", and "nocturnes", emphasizing the primacy of tonal harmony. His most famous painting Arrangement in Grey and Black No. 1 (1871), commonly known as Whistler’s Mother, is a revered and often parodied portrait of motherhood. Whistler influenced the art world and the broader culture of his time with his theories and his friendships with leading artists and writers.
Relationship Network
Master student
- Charles Gleyre Master
- Ernest Haskell Student
- Florence Lundborg Student
- Frederick Carl Frieseke Student
- Robert Walter Weir Master
- Walter Greaves Student
- Walter Richard Sickert Student
Fellow student
Influenced
- Alice Schille
- Bernard Boutet de Monvel
- Bertha Jaques
- Gustave Leheutre
- Henri Evenepoel
- Irving Ramsay Wiles
- James Pryde
- John Quincy Adams
- Józef Pankiewicz
- Maurice Prendergast
- Maurice Prendergast
- Norman Garstin
- Olof Sager-Nelson
- Paul Fordyce Maitland
- Philip Wilson Steer
- Robert Charles Goff
- Willem Witsen
Artworks by this artist (579 total)
- Swan and Iris ca. 1883
- Landscape with the Horse 1859
- Harmony In Flesh Colour And Red circa 1869
- Amsterdam from the Tolhuis after 1870
- Nude Leaning on a Rail (recto) 1871-1874
- Old Battersea Bridge 1879
- San Giorgio 19th century
- Scene on the Mersey
- Whistler’s Butterfly 1886
- London Bridge 1881
- A Little Red Note–Dordrecht 1884
- Arrangement in Black; Girl Reading ca. 1880-90
- The Suede Gloves (Les Gants de Suéde) 1890
- Amsterdam from the Tolhuis 1863
- Nude Standing with Legs Crossed c. 1878
- The Sisters 1894
- Early Morning, Battersea (Kennedy 75) circa 1859
- Bead-stringers 1879
- A Corner of the Palais Royal 1886
- A la Ferme de Maladrie 1858