John Wootton
Pioneered British sporting and landscape art
John Wootton was an English painter of sporting subjects, battle scenes and landscapes, and illustrator. Born in Snitterfield, Warwickshire (near Stratford-upon-Avon), he is best remembered as a pioneer in the painting of sporting subjects – together with Peter Tillemans and James Seymour – and was considered the finest practitioner of the genre in his day. As such, his paintings were very fashionable and were sought after by those among the highest strata of the British society. These included figures such as George II of Great Britain, Frederick, Prince of Wales, and the Duke of Marlborough. It is likely that he received artistic training from Jan Wyck before 1700. Wootton may have begun life as a page to the family of the Dukes of Beaufort. His earliest surviving dated work is the equine portrait Bonny Black (1711). He remained active until his death in 1764, based in the capital of English horse racing at Newmarket, and producing large numbers of portraits of horses and also conversation pieces with a hunting or riding setting. He acquired a classicising landscape style based on that of Gaspard Dughet, which he used in some pure landscape paintings, as well as views of country houses and equine subjects. This introduced an alternative to the various Dutch and Flemish artists who had previously set the prevailing landscape style in Britain, and through intermediary artists such as George Lambert, the first British painter to base a career on landscape subjects, was to greatly influence other British artists such as Gainsborough. He is now somewhat eclipsed in the field of animal paintings by the later George Stubbs (1724–1806), who is considered technically superior. John Wootton died in London on 13 November 1764.
Relationship Network
Master student
- Jan Wyck Master
- Jan Siberechts Master
Friend
Influenced
Artworks by this artist
- An Italianate landscape
- Lamprey, with His Owner Sir William Morgan, at Newmarket ca. 1723
- Fable XXVIII. The Persian, the Sun, and the Cloud 1793
- A race meeting at Newmarket with Tragonwell Frampton 1641-1727
- Fable XLIV. The Hound and the Huntsman 1793
- Fable IV. The Eagle and the Assembly of Animals 1793
- Fable XXV. The Scold and the Parrot 1793
- Fable I. The Lion, the Tiger, and the Traveller 1793
- Fable XLVI. The Cur, the Horse, and the Shepherd’s Dog 1793
- The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire 1791
- Macbeth And Banquo With The Three Witches 1759
- The Bloody Shoulder’d Arabian
- Classical landscape: morning 1740 - 1745
- Fable XXXIII. The Courtier and Proteus 1793
- Fable XVII. The Shepherd’s Dog and the Wolf 1793
- Introduction to the Fables, The Shepherd and the Philosopher 1793
- Fable III. The Mother, the Nurse, and the Fairy 1793
- Fable XX. The Old Hen and the Cock 1793
- Haycart Passing a Ruined Abbey ca. 1745
- Fable XXXIX. The Man and the Flea 1793