Nicholas Roerich
Spiritual symbolism and art preservation activism
Nicholas Roerich, also known also as Nikolai Konstantinovich Rerikh, was a Russian painter, writer, archaeologist, theosophist, philosopher, and public figure. In his youth was influenced by Russian Symbolism, a movement in Russian society centered on the spiritual. He was interested in hypnosis and other spiritual practices and his paintings are said to have hypnotic expression. Born in Saint Petersburg, to a well-to-do notary public Baltic German father and to a Russian mother, Roerich lived in various places in the world until his death in Naggar, Himachal Pradesh, India. Trained as an artist and a lawyer, his main interests were literature, philosophy, archaeology, and especially art. Roerich was a dedicated activist for the cause of preserving art and architecture during times of war. He was nominated several times to the longlist for the Nobel Peace Prize. The so-called Roerich Pact was signed into law by the United States and most other nations of the Pan-American Union in April 1935.
Relationship Network
Master student
- Nikolai Triik Student
Artworks by this artist
- Himalayas, Sikkim circa 1928-1929
- Sanctuaries and Citadels 1925
- Depsang plains 1925
- And We Continue Fishing From The Series Sancta 1922
- And We See 1922
- The Great Sacrifice. Setting for I.F.Stravinsky’s Ballet «Sacred Spring» 191
- Monhegan. Maine 1922
- Sadko’s chamber 1920
- The Doomed City 1914
- Trees by a Lake
- St Mercurius of Smolensk 1919
- Stravinsky’s ‘Saint Spring’
- The Shadow of the Teacher
- Himalayas from Ting-kye Dzong 1928
- The Great Sacrifice. Setting for I.F.Stravinsky’s Ballet Sacred Spring 1910
- Islands 1919
- The Duel
- The Kremlin Tower of Nizhny Novgorod 1903
- Mongolia 1926-1927
- And We are Opening the Gates 1922