Parmigianino
Elegant Mannerist elongation and refined sensuality
Girolamo Francesco Maria Mazzola, more commonly known, as Parmigianino ("the little one from Parma") was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes Vision of Saint Jerome and the iconic if somewhat untypical Madonna with the Long Neck, and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period. His prodigious and individual talent has always been recognised, but his career was disrupted by war, especially the Sack of Rome in 1527, three years after he moved there, and then ended by his death at only 37. He produced outstanding drawings, and was one of the first Italian painters to experiment with printmaking himself. While his portable works have always been keenly collected and are now in major museums in Italy and around the world, his two large projects in fresco are in a church in Parma and a palace in a small town nearby. This in conjunction with their lack of large main subjects has resulted in their being less well known than other works by similar artists. He painted a number of important portraits, leading a trend in Italy towards the three-quarters or full-length figure, previously mostly reserved for royalty.
Relationship Network
Master student
- Andrea Schiavone Master
Artworks by this artist
- Adoration of the shepherds ca 1524-1526
- David and Goliath ca 1524-1526
- Jael and Cisera (verso) c. 1524-1527
- Design for the Tomb of a Youth 1524-25
- Madonna and Child 1503-40
- Studies of Saints John the Baptist and Jerome, a Crucifix, and Various Heads 1525-1527
- Saint Peter and Saint John Healing the Lame Man at the Beautiful Gate circa 1527-1530
- The Head of a Young Man 1539-1540
- Daniel in the lion’s den ca. 1531 - 1535
- Roman or Greek Warriors Celebrating after a Victory 1503-40
- Madonna con Bambino, San Giovanni Battista, la Maddalena e Zaccaria (Madonna di San Zaccaria) 1534-1540
- Die Heiligen Johannes der Täufer und Hieronymus 1526
- Lucretia probably c. 1539
- Head of a Man in Profile to Right 1503-40
- Justice Holding Scales 1503-40
- Köpfe eines bärtigen Mannes und zweier Frauen ca 1524-1526
- Sitzende Gestalt, die einen Vorhang beiseite schiebt ca 1523-1524
- Descent of the Holy Spirit ca 1526
- Studies of the Madonna and Child 1535
- The Circumcision