日暮；海岸日落
between 1768 and 1775
日暮；海岸日落 by 亚历山大·科曾斯, between 1768 and 1775, Landscape, romanticism
Related Artworks
- Mountain Tops (A Mountain Study) Alexander Cozens ca. 1780
- A new method of assisting the invention in drawing original compositions of landscape Pl.13 Alexander Cozens 1785
- The Glade Alexander Cozens ca. 1750
- A new method of assisting the invention in drawing original compositions of landscape Pl.05 Alexander Cozens 1785
- A new method of assisting the invention in drawing original compositions of landscape Pl.14 Alexander Cozens 1785
- Landscape with Mountain and Lake Alexander Cozens 1750s
- A new method of assisting the invention in drawing original compositions of landscape Pl.10 Alexander Cozens 1785
- Houses by an Italian Lake Alexander Cozens
- A new method of assisting the invention in drawing original compositions of landscape Pl.06 Alexander Cozens 1785
- Buildings by a River with Hills in Background Alexander Cozens between 1746 and 1750
- A new method of assisting the invention in drawing original compositions of landscape Pl.08 Alexander Cozens 1785
- A new method of assisting the invention in drawing original compositions of landscape Pl.15 Alexander Cozens 1785
- Study of Two Willows Alexander Cozens ca. 1760
- A new method of assisting the invention in drawing original compositions of landscape Pl.09 Alexander Cozens 1785
- Landscape with a Lake and Distant Mountain Alexander Cozens ca. 1750
- Castle in a Landscape Alexander Cozens between 1770 and 1779
- High Tor, Matlock Derbyshire Alexander Cozens 1756
- A new method of assisting the invention in drawing original compositions of landscape Pl.03 Alexander Cozens 1785
- Mountainous Landscape Alexander Cozens 1770s
- A new method of assisting the invention in drawing original compositions of landscape Pl.02 Alexander Cozens 1785
- A new method of assisting the invention in drawing original compositions of landscape Pl.11 Alexander Cozens 1785
- A vale near Matlock, Derbyshire Alexander Cozens 1756
- Tree and Distant Hills Alexander Cozens between 1750 and 1755
- A new method of assisting the invention in drawing original compositions of landscape Pl.07 Alexander Cozens 1785
- Coin du bassin aux nymphéas Claude Monet 1918-1919
- Plum Garden, Kameido Utagawa Hiroshige 1857
- The Great Blue Spring of the Lower Geyser Basin, Yellowstone Thomas Moran ca. 1875
- Houses at Auvers Vincent van Gogh
- Calvaire breton Eugène Boudin 19th century
- Landscape with a Church by a Torrent Jacob van Ruisdael c. 1670
- Le Palais Dario Claude Monet 1908
- A Rocky Coast William Trost Richards 1897
- Ships on a turbulent sea Jan Porcellis
- The Return Thomas Cole 1837
- Dans la rue Raoul Dufy 1901
- The Mill, Sunset Thomas Cole
- Battle Abbey, Sussex David Cox
- Bergsee mit Storch Emil Lugo 1890-1900
- Oxenbridge Pond Paul Nash 1927-28
- Meules à Giverny Claude Monet 1893
- Album de voyage au Maroc Eugène Delacroix 1832
- Ansicht von Unterseen Franz Niklaus König
- Vue d’Interlaken Franz Niklaus König
- Si sabrá mas el discipulo (Might not the pupil know more) Francisco de Goya 1796-1797
- Verkrüppelter Baumstamm auf Felsen bei Ariccia Ernst Fries 1824
- Bust Portrait of Carle Vernet Horace Vernet 1817
- Two Figures by a River John Constable between 1807 and 1809
- Country village Thomas Rowlandson ca. 1780-1825
- La Seine à La Bouille Albert Lebourg 1920-21
- The Cliff of Aval, Etrétat Claude Monet 1885
- Lake Champlain John Frederick Kensett 19th century
- Pêches et raisins à la fenêtre Henri Manguin 1920
- Blick über die Bucht von Villefranche-sur-Mer Albert Zimmermann
- L’avant-Port De Martigues Félix Ziem
- The Whale Oskar Laske
- Capri Jan Ciągliński 1911