Flora Fabbri (Idália)

Related Artworks

• Catarina Beretta Alexandre Désiré Collette 1855
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• Liberté Egalité Fraternité Vive la République démocratique et sociale Alexandre Désiré Collette
• Le voici arrivé Il va droit au cabaret Alexandre Désiré Collette
• Caroline Duprez (L’Etoile du Nord) Alexandre Désiré Collette 1854-1899
• Haut le pavé des barricades Alexandre Désiré Collette
• Liberté, égalité, fraternité Toi, Passé, va-t-en Alexandre Désiré Collette
• Napoléon en Egypte. Waterloo et le fils de l’homme Alexandre Désiré Collette 1842
• L’ami du peuple, c’était la Mort Alexandre Désiré Collette
• In the Corner Carl Larsson
• One Hundred Views of Mount Fuji, vol. 1(1834 Katsushika Hokusai printed 1875)
• Portrait of Martin Luther as an Augustinian Monk Lucas Cranach the Elder 1520
• Milton, a poem in 2 books Pl.42 William Blake 19th century
• The streetcar on Tremont Street Maurice Prendergast 1895-1897
• Olympia (1867) 2 Édouard Manet
• Tôji san bijin – Three beauties of the present day Kitagawa Utamaro 1793-1804
• Various Types of Torii Arch Katsushika Hokusai 1816
• The Kiss (‘Kyss’) Edvard Munch 1895
• Weib mit rotem Haar und grünen Augen. Die Sünde Edvard Munch 1902
• Cover of ‘The Yellow Book - an Illustrated Quarterly’, Volume I, April 1894 Aubrey Vincent Beardsley 1894
• Tamaya uchi Hanamurasaki, Sekiya, Teriha – Hanamurasaki of the Tamaya, Sekiya, Teriha Kitagawa Utamaro 1793-1804
• The Little Standard Bearer Albrecht Altdorfer c. 1506-38
• Snow at the top of the Tsukuba Mountain in Hitachi Province Katsushika Hokusai 1817
• Hamlet wants to follow his father’s ghost (Act I, scene iv) Eugène Delacroix 1864
• Pozzo’s architecture in perspective Andrea Pozzo 1707
• The Sower Sir John Everett Millais 1864
• Hari-shigoto – Needlework Kitagawa Utamaro 1793-1804
• El si pronuncian y la mano alargan Al primero que llega. (They say yes and give their hand to the first comer.) Francisco de Goya 1796-1797
• Mr. Garrick in the Character of Richard III William Hogarth 1746
• ‘Snap-the-Whip’ Winslow Homer 1872
• The man with the (carpet) bags@Illustration Thomas Nast
• —and no sooner had he the arms in his hands but, as if they had put new vigor into him, he flew upon his murderers like a fury N. C. Wyeth 1920
• The orthography, or geometrical elevation of the inside of S. Ignatius’s church. Andrea Pozzo 1707
• Plate 7, The Idle ‘Prentice Returned from Sea and in a Garret with a Common Prostitute William Hogarth 1747
• The Second Stage of Cruelty; Second, Coachman Beating a Fallen Horse William Hogarth 1751
• America, a Prophecy William Blake 1887
• ‘I am Sir Launcelot du Lake, King Ban’s son of Benwick, and knight of the Round Table’ N. C. Wyeth 1917
• Act XI Katsushika Hokusai 1806
• Hasta la muerte. (Until death.) Francisco de Goya 1796-1797
• The Sower Jean-François Millet 1850
• Prisoners from the Front Winslow Homer 1866
• Cerf et biches dans la forêt, automne Rosa Bonheur 1878
• Le taureau gris Rosa Bonheur
• Cannon Rock Winslow Homer 1895
• Saco Bay Winslow Homer 1896
• Boys in a Dory Winslow Homer 1880
• Man with a Scythe Winslow Homer ca 1869
• Danseuse Edgar Degas circa 1880
• Trois danseuses Edgar Degas circa 1897
• Two Dancers Edgar Degas
• Dancers Edgar Degas 1896
• The Dancers Edgar Degas 1898
• Dancer with a Fan Edgar Degas ca. 1890-95
• Dancer in Green Edgar Degas ca. 1883
• Danseuse de Cancan Louis Icart
• Decorative study of a play François-Claudius Compte-Calix 1830[-]80
• Costume Mary E. Humes c. 1937
• Believe Me, Xantippe： Unidentified Character (‘Bias Skirt’) Emile Stoner 1934-1943
• Romeo and Juliet; Costume designs 8 Percy Anderson
• Venus und Amor unter einem Zelt sitzend, links von ihnen stehen Flora und Zephir Joseph Heintz The Elder
• Exposition des Arts de la Femme au Palais de l’industrie. La Parisienne du siècle Jean-Louis Forain 1892