Another quarter of the whole design.

Related Artworks

• A fourth part of the architectonical design, painted on the vault of S. Ignatius’s church; with its lights and shadows. Andrea Pozzo 1707
• Other preparations to the ninety-eighth and ninety-ninth figures Andrea Pozzo 1707
• Elevation of the Ionick design in perspective. Andrea Pozzo 1707
• The Corinthian capital in perspective Andrea Pozzo 1707
• Circles in perspective Andrea Pozzo 1707
• A Dorick pedestal in perspective; with the manner of avoiding confusion, in designing the plans. Andrea Pozzo 1707
• The cupola of the ninetieth figure, with its lights and shades Andrea Pozzo 1707
• The manner of making the net-work or squares, and painting the scenes of theaters. Andrea Pozzo 1707
• The Ionick pedestal in perspective; with the manner of avoiding confusion, in elevations. Andrea Pozzo 1707
• The plans of an octangular tabernacle. Andrea Pozzo 1707
• A cupola in horizontal perspective Andrea Pozzo 1707
• Pozzo’s architecture in perspective Andrea Pozzo 1707
• The geometrical elevation of the foregoing plan, and second preparation to the seventy-first figure. Andrea Pozzo 1707
• The orthography, or geometrical elevation of the inside of S. Ignatius’s church. Andrea Pozzo 1707
• The geometrical plan of the church of S. Ignatius at Rome Andrea Pozzo 1707
• Preparatory to the thirty-seventh. [Outline and perspective lines.] Andrea Pozzo 1707
• St. Augustine and the Child on the Seashore Andrea Pozzo 1642-1709
• Self-Portrait Andrea Pozzo 1703
• The manner of erecting machines, that consist of several ranges of frames. Andrea Pozzo 1707
• Manner of delineating a square in perspective. Andrea Pozzo 1707
• The projection of a pedestal, of the composite order, in perspective. Andrea Pozzo 1707
• The Tuscan base in perspective Andrea Pozzo 1707
• Rules and examples of perspective, proper for painters and architects, etc - Title Page Andrea Pozzo 1707
• The elevation of scenes in front, and how the oblique scenes are made to appear direct. Andrea Pozzo 1707
• Tsuchiyama Utagawa Hiroshige 1855
• Vampire II Edvard Munch 1987
• In the Corner Carl Larsson
• Women of Algiers Eugène Delacroix 1833
• Martin Luther Lucas Cranach the Elder 1527
• La sortie du bain Edgar Degas circa 1884
• Milton, a poem in 2 books Pl.31 William Blake 19th century
• Death In The Sickroom Edvard Munch 1893
• Olympia Édouard Manet 1867
• The streetcar on Tremont Street Maurice Prendergast 1895-1897
• After the Bath III Edgar Degas 1891-92
• The Courtesan Kisegawa Kitagawa Utamaro late 18th century - ca. 1806
• Crayfishing Carl Larsson
• Milton, a poem in 2 books Pl.38 William Blake 19th century
• America, a prophecy Pl.18 William Blake 1793
• America, a prophecy Pl.08 William Blake 1793
• The Garden of Eden with the Fall of Man Peter Paul Rubens c. 1615
• The Blinding of Samson Rembrandt van Rijn 1636
• Adoration of the Magi Peter Paul Rubens 1628-1629
• Girl Reading A Letter By An Open Window Johannes Vermeer
• The Immaculate Conception Bartolomé Estebán Murillo 1675-1680
• The Conversation à la mode or The Garden of Love Peter Paul Rubens
• Le triomphe d’Henri IV Peter Paul Rubens 17th Century
• The Adoration of the Shepherds; A Night Piece Rembrandt van Rijn circa 1657
• Design for a Lectern Giovanni Battista Foggini 1652-1725
• Fensterstudie eines Berner Oberländer Hauses Franz Niklaus König 1810
• Pulpit E. Boyd 1935-1942
• Design for an Archway John Singer Sargent ca. 1890-94
• Design for a temporary decoration of the East wall of the Palazzo Vecchio Courtyard Giorgio Vasari ca. 1565
• By the Fountain, Villa Torlonia,Frascati,Italy John Singer Sargent c. 1907
• Arnö Ferdinand Boberg 1915-1924
• Eriksberg Ferdinand Boberg 1915-1924
• Le Baptême de Clovis Joseph Blanc
• Great auk John James Audubon 1827-1838
• Play Illustration Pl.15 Isaac Taylor
• Christ in Glory Raphael 1519-1520
• Allegory of ‘Benifico’ Paolo Veronese ca. 1550 - 1560
• Saint Francis Receiving the Stigmata Domenico Veneziano c. 1445-1450