全体デザインの別の四分の一。

Related Artworks

• Pozzo’s architecture in perspective Andrea Pozzo 1707
• The geometrical elevation of the foregoing plan, and second preparation to the seventy-first figure. Andrea Pozzo 1707
• The orthography, or geometrical elevation of the inside of S. Ignatius’s church. Andrea Pozzo 1707
• The geometrical plan of the church of S. Ignatius at Rome Andrea Pozzo 1707
• Preparatory to the thirty-seventh. [Outline and perspective lines.] Andrea Pozzo 1707
• St. Augustine and the Child on the Seashore Andrea Pozzo 1642-1709
• Self-Portrait Andrea Pozzo 1703
• The manner of erecting machines, that consist of several ranges of frames. Andrea Pozzo 1707
• Manner of delineating a square in perspective. Andrea Pozzo 1707
• The projection of a pedestal, of the composite order, in perspective. Andrea Pozzo 1707
• The Tuscan base in perspective Andrea Pozzo 1707
• Rules and examples of perspective, proper for painters and architects, etc - Title Page Andrea Pozzo 1707
• The elevation of scenes in front, and how the oblique scenes are made to appear direct. Andrea Pozzo 1707
• A Corinthian column in horizontal perspective. Andrea Pozzo 1707
• The plan of a circular work in perspective. Andrea Pozzo 1707
• A circular design in perspective. Andrea Pozzo 1707
• An Ionick work in perspective; with the manner of reconciling the fictitious to the solid architecture. Andrea Pozzo 1707
• The method of drawing the net of lattice-work on vaults. Andrea Pozzo 1707
• A side-view of the composite cornice, in perspective. Andrea Pozzo 1707
• The geometrical plan of a design, of the Dorick order. Andrea Pozzo 1707
• The geometrical design of a cornice, of the composite order. Andrea Pozzo 1707
• The Ionick capital in perspective. Andrea Pozzo 1707
• Other preparations to the ninety-eighth and ninety-ninth figures. Andrea Pozzo 1707
• The optical delineation of a square. Andrea Pozzo 1707
• Ôgiya uchi Yashio, Someki, Tsumaki – Yashio of the Ôgiya, Someki, Tsumaki Kitagawa Utamaro 1793-1804
• Sankatsu Hanshichi no bosetsu – The maternal love of Sankatsu and Hanshichi Kitagawa Utamaro 1793-1804
• Milton, a poem in 2 books Pl.26 William Blake 19th century
• Milton, a poem in 2 books Pl.10 William Blake 19th century
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• Lion Devouring a Horse Eugène Delacroix 1844
• The Four Stages of Cruelty; Cruelty in Perfection (The Murderer) William Hogarth 1751
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• Enoshima Island (Figure on an ox, waves) Utagawa Hiroshige 19th century
• The Calligraphy Lesson Kitagawa Utamaro circa 1803
• Miren que grabes! (Look how solemn they are!) Francisco de Goya 1796-1797
• Hamlet and Polonius (Act II, scene ii) Eugène Delacroix 1864
• The First Stage of Cruelty; First, Children Torturing Animals William Hogarth 1751
• Characters and Caricatures; subscription ticket for ‘Marriage à la Mode’ William Hogarth 1743
• Das Mädchen am Fenster Edvard Munch 1912
• Nachtwacht Rembrandt van Rijn 1 January 1642
• The Art of Painting Johannes Vermeer
• Las Meninas Diego Velázquez between 1656 and 1657
• The Origin Of The Milky Way Peter Paul Rubens 1636-1637
• Winter Landscape Jacob van Ruisdael c. 1665
• Queen Henrietta Maria Anthony van Dyck 1636
• The Jewish Cemetery Jacob van Ruisdael 1654 or 1655
• The Abduction of Europa Rembrandt van Rijn 1632
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• Design for a Theater Interior Luigi Vanvitelli 1700-1773
• Fassade eines Fachwerkhauses Jakob Becker
• Jumel Mansion, New York Ernest Peixotto 1898
• Rome twee gezichten op anonieme gebouwen David Humbert de Superville
• Fiholm Ferdinand Boberg 1915-1924
• Architectural Motif; Double Acanthus Fleuron Georges Seurat ca. 1875
• Great auk John James Audubon 1827-1838
• Play Illustration Pl.15 Isaac Taylor
• Christ in Glory Raphael 1519-1520
• Allegory of ‘Benifico’ Paolo Veronese ca. 1550 - 1560
• Saint Francis Receiving the Stigmata Domenico Veneziano c. 1445-1450
• Lassay Victor Hugo 1836