第九十八和九十九圖的其他準備

Related Artworks

• The method of drawing the net of lattice-work on vaults. Andrea Pozzo 1707
• The plan and elevation of a corbel in perspective. Andrea Pozzo 1707
• A projection of the Dorick order in perspective. Andrea Pozzo 1707
• Corinthian pedestals in an horizontal perspective. Andrea Pozzo 1707
• The architecture of Vignola in perspective; and first, of the pedestal of the Tuscan order. Andrea Pozzo 1707
• The geometrical plan of a design, of the Dorick order. Andrea Pozzo 1707
• The geometrical plan, and first preparation to the seventy-first figure. Andrea Pozzo 1707
• Of scenes for the stage. Andrea Pozzo 1707
• The horizontal projection of a shaded corbel. Andrea Pozzo 1707
• The plan of an Ionick building. Andrea Pozzo 1707
• The orders of architecture, taken from Palladio and Scamozzi. Andrea Pozzo 1707
• The elevation of scenes in front, and how the oblique scenes are made to appear direct. Andrea Pozzo 1707
• The Corinthian pedestal, with its pilasters, in perspectives. Andrea Pozzo 1707
• A fourth part of the architectonical design, painted on the vault of S. Ignatius’s church; with its lights and shadows. Andrea Pozzo 1707
• Another example of a geometrical plan and upright, put in perspective. Andrea Pozzo 1707
• Of horizontal perspective Andrea Pozzo 1707
• The delineation of an oblong square in perspective. Andrea Pozzo 1707
• Circles in perspective Andrea Pozzo 1707
• A Tuscan column in perspective. Andrea Pozzo 1707
• Plans of squares, with their elevations. Andrea Pozzo 1707
• The section of profile of scenes for theaters. Andrea Pozzo 1707
• Part of an octangular work of the Corinthian order. Andrea Pozzo 1707
• The attick base in perspective. Andrea Pozzo 1707
• The elevation of the forty-first figure in perspective. Andrea Pozzo 1707
• Kami-yui – Hairdresser Kitagawa Utamaro 1793-1804
• Si sabrá mas el discipulo (Might not the pupil know more) Francisco de Goya 1796-1797
• What to draw and how to draw it Pl.63 Edwin George Lutz 1913
• Blatt aus ‘Aus meinen Schlössern’ 5 Franz von Bayros ca 1923
• The Fight for the Water Hole Frederic Remington 1903
• The country of the quadlings William Wallace Denslow 1900
• The call for help Frederic Remington between 1906 and 1910
• City Square Francisco Fierro ca. 1850
• Corner Winter, Washington and Summer Streets, Boston Winslow Homer 1857
• Si amanece; nos Vamos. (When day breaks we will be off.) Francisco de Goya 1796-1797
• The Maternal Precaution Jean-François Millet 1860
• Miss dada menken André Gill 1867
• Portrait of Paris von Gütersloh (Bildnis Paris von Gütersloh) Egon Schiele 1918
• Unconditional surrender Grant Thomas Nast 1868
• Embarking from Brighthelmstone to Diepp Thomas Rowlandson 1787
• Bijutsukai Pl.27 Furuya Kōrin 1901
• The Assumption of the Virgin Peter Paul Rubens 1613-1614
• Self-portrait Rembrandt van Rijn 1659
• A View of the Maas at Dordrecht Aelbert Cuyp about 1645 - 1646
• Saul and David Rembrandt van Rijn c. 1651 - 1654
• Achilles Discovered By Ulysses Among The Daughters Of Lycomedes Peter Paul Rubens 1630-1635
• Landscape with a Church by a Torrent Jacob van Ruisdael c. 1670
• Portrait of the artist in oriental costume Rembrandt van Rijn 1631
• Nachtwacht Rembrandt van Rijn 1 January 1642
• Schetsblad met huis Leo Gestel 1891
• Iron Door Handle Bertha Semple 1935-1942
• Shaker Chest of Drawers Alfred H. Smith c. 1937
• Wrought Iron Latch Lucien Verbeke c. 1938
• Desk Box 2 Leo Drozdoff c. 1940
• Designs for two panels painted in rinceaux Jules-Edmond-Charles Lachaise 1830[-]97
• Sofa John Dieterich 1935-1942
• Franzosische und Deutsche Renaissance – Flachornamente verschiedener Techniken Heinrich Dolmetsch 1887
• Figure Studies (verso)@Drawings Giovanni Battista Cipriani
• What to draw and how to draw it Pl.23 Edwin George Lutz 1913
• The mineral conchology of Great Britain Pl.376 James Sowerby 1812
• Studies for ‘Classic and Romantic Art’ John Singer Sargent c. 1921
• Study of Two Soldiers Théodore Géricault 1818-1819
• Citrus limon 6 Ellen Isham Schutt 1911