원근법의 복합식 기둥머리
Andrea Pozzo
1707
원근법의 복합식 기둥머리 by 안드레아 포초, 1707, Illustration, baroque
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A fourth part of the architectonical design, painted on the vault of S. Ignatius’s church; with its lights and shadows.
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Other preparations to the ninety-eighth and ninety-ninth figures
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Elevation of the Ionick design in perspective.
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The Corinthian capital in perspective
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Circles in perspective
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A Dorick pedestal in perspective; with the manner of avoiding confusion, in designing the plans.
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The cupola of the ninetieth figure, with its lights and shades
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The manner of making the net-work or squares, and painting the scenes of theaters.
Andrea Pozzo
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The Ionick pedestal in perspective; with the manner of avoiding confusion, in elevations.
Andrea Pozzo
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The plans of an octangular tabernacle.
Andrea Pozzo
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A cupola in horizontal perspective
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Pozzo’s architecture in perspective
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The geometrical elevation of the foregoing plan, and second preparation to the seventy-first figure.
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The orthography, or geometrical elevation of the inside of S. Ignatius’s church.
Andrea Pozzo
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The geometrical plan of the church of S. Ignatius at Rome
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Preparatory to the thirty-seventh. [Outline and perspective lines.]
Andrea Pozzo
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St. Augustine and the Child on the Seashore
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Self-Portrait
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The manner of erecting machines, that consist of several ranges of frames.
Andrea Pozzo
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Manner of delineating a square in perspective.
Andrea Pozzo
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The projection of a pedestal, of the composite order, in perspective.
Andrea Pozzo
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The Tuscan base in perspective
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Rules and examples of perspective, proper for painters and architects, etc - Title Page
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The elevation of scenes in front, and how the oblique scenes are made to appear direct.
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