제 90 도의 쿠폴라와 그 명암
Andrea Pozzo
1707
제 90 도의 쿠폴라와 그 명암 by 안드레아 포초, 1707, Illustration, baroque
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The method of drawing the net of lattice-work on vaults.
Andrea Pozzo
1707
The plan and elevation of a corbel in perspective.
Andrea Pozzo
1707
A projection of the Dorick order in perspective.
Andrea Pozzo
1707
Corinthian pedestals in an horizontal perspective.
Andrea Pozzo
1707
The architecture of Vignola in perspective; and first, of the pedestal of the Tuscan order.
Andrea Pozzo
1707
The geometrical plan of a design, of the Dorick order.
Andrea Pozzo
1707
The geometrical plan, and first preparation to the seventy-first figure.
Andrea Pozzo
1707
Of scenes for the stage.
Andrea Pozzo
1707
The horizontal projection of a shaded corbel.
Andrea Pozzo
1707
The plan of an Ionick building.
Andrea Pozzo
1707
The orders of architecture, taken from Palladio and Scamozzi.
Andrea Pozzo
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The elevation of scenes in front, and how the oblique scenes are made to appear direct.
Andrea Pozzo
1707
The Corinthian pedestal, with its pilasters, in perspectives.
Andrea Pozzo
1707
A fourth part of the architectonical design, painted on the vault of S. Ignatius’s church; with its lights and shadows.
Andrea Pozzo
1707
Another example of a geometrical plan and upright, put in perspective.
Andrea Pozzo
1707
Of horizontal perspective
Andrea Pozzo
1707
The delineation of an oblong square in perspective.
Andrea Pozzo
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Circles in perspective
Andrea Pozzo
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A Tuscan column in perspective.
Andrea Pozzo
1707
Plans of squares, with their elevations.
Andrea Pozzo
1707
The section of profile of scenes for theaters.
Andrea Pozzo
1707
Part of an octangular work of the Corinthian order.
Andrea Pozzo
1707
The attick base in perspective.
Andrea Pozzo
1707
The elevation of the forty-first figure in perspective.
Andrea Pozzo
1707
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