维克多·雨果，正面像 II

罗丹于1883年结识了法国传奇作家维克多·雨果，并为之深深着迷，在一年内创作了这位诗人的一百多幅素描，常常在雨果工作或会客时偷偷勾勒。这幅充满张力的作品呈现了一幅文学巨匠饱经风霜的面容的大幅正面肖像，旁边配有一幅较小的侧面研究稿，两者均以潦草而充满活力的线条绘制，仿佛雕塑家直接在纸上雕刻。这是罗丹的三维视觉如何转化为二维艺术的绝佳范例，其重点在于原始的性格特征和深刻的皱纹，而非经过修饰、讨好的相似性。

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